Susan Murray MP: speeches

Speeches

• 3 Apr 2025 · UK Democracy: Impact of Digital Platforms · Hansard source

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  I thank the hon. Member for Lagan Valley (Sorcha Eastwood) for bringing this important debate to the Chamber and for her courage. As we have heard, the Netflix show “Adolescence” has been a wake-up call for many about social media’s dangerous impact on our world view and beliefs. A young boy groomed online by an incel culture that is hostile to women murders a female classmate for resisting his prejudice against women. Campaigners have recently warned of this issue. Months before “Adolescence” was released, Zero Tolerance’s “Many Good Men” report highlighted the need to better regulate platforms that spread misinformation and radicalisation. That is of particular importance for young people, including those in my constituency of Mid Dunbartonshire, as nearly 60% of them rely on social media as their primary information source, including for news, as we have heard. If radical content already fuels violence against women and girls, we must be aware of its effect on democracy. The hon. Member for Glasgow North (Martin Rhodes) referenced research at Glasgow University. Recent work by King’s College London showed that over half of generation Z think that the UK would improve under a strong leader who is unconstrained by Parliament or elections. More worryingly, when explicitly asked if they would prefer a dictatorship, 6% said yes. Yet, when questioned on that stance, they clarified that they simply wanted a leader who could effect change quickly, as current progress is too slow. This should not come as a surprise. After all, they are bearing the brunt of a mental health crisis, soaring house prices and a brutal jobs market. It is clear that a poor online environment reflects a poor real-world environment. Individuals of all ages, frustrated by their circumstances, look for something to blame, be it women, immigration or democracy, in sentiment driven by social media giants and the far-right populists who exploit young people’s frustrations. The solutions to social media’s erosion of democracy lie in the real world. The John Smith Centre stresses that politicians should be more open and transparent and address young people’s housing and employment concerns to reduce disillusionment. If we ignore their challenges, social media will continue to undermine our democracy and draw our young people into increasingly extreme environments.

• 1 Apr 2025 · Eating Disorder Awareness · Hansard source

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  It is a pleasure to serve under your chairship, Mr Stuart. I thank my hon. Friend the Member for Bath (Wera Hobhouse) for securing this debate and for all her work. It is important that we keep bringing attention to this important issue, because eating disorders continue to claim far too many lives and undermine the wellbeing of countless people. As we have heard, recent statistics show the severity of the challenge. The proportion of 11 to 16-year-olds with an eating disorder rose from one in 200 in 2017 to five in 200 in 2023. Hospital admissions have doubled in the past decade, and as we know, hospital is not always the most appropriate destination. More alarmingly still, rates among 17 to 19-year-olds surged from one in 100 in 2017 to more than 12 in 100 last year. Despite those worrying statistics, eating disorders are often viewed through a narrow lens. Conditions such as muscle dysmorphia are increasingly affecting teenagers and are challenging the stereotype of what an eating disorder is. Muscle dysmorphia is a dangerous condition that can lead not only to disordered eating, but in some cases to the use of anabolic steroids or other performance-enhancing substances, as we are increasingly seeing. Social media platforms play an influential role in shaping perceptions of body image and can sometimes fuel these destructive conditions. We are continually exposed to curated images of supposedly perfect physiques, with posts and videos that can glamorise unhealthy behaviours. Although social media has the potential to serve as a space for positivity and connection, we must recognise that it can also intensify body-related anxieties and push vulnerable individuals towards extreme measures. Rather than letting this content spread unchecked, it is vital to ensure that any material glorifying unhealthy lifestyles, whether that means severe calorie restriction or steroid use, is firmly curtailed, while healthy evidence-based advice is made readily available. We must address eating disorders by looking not just at the initial health impact, but at the wider environment, and taking a holistic, preventive approach. We should support educators and parents as well as healthcare professionals in understanding how to identify early warning signs. At the same time, those responsible for digital platforms must be held to account for the environment that they create and for the potentially harmful messages that they allow to be shared. Designing algorithms to highlight balanced, medically sound advice, rather than misleading or extreme content, would be a significant step in minimising the harm and in guiding young people towards healthy lifestyle choices. In the light of the growing impact of eating disorders and related conditions such as body dysmorphia, I urge the Government to recognise the growing threat. By combining robust health education with online protections, we can take the first step towards safeguarding the next generation from an epidemic that has already caused so much damage. We owe it to our children and young people to ensure that they can learn, socialise, grow and celebrate difference. I absolutely support my hon. Friend’s call for an eating disorder strategy as the first step.

• 27 Jan 2025 · Creative Industries · Hansard source

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  It is a privilege to stand here to talk about our creative industries. At a time when Britain’s international influence has been waning, those industries remain a powerful testament to what we can achieve, shaping our global reputation for innovation and cultural strength. Beyond the enormous economic value of more than £100 billion contributed to our economy each year, our creative sector exerts a profound soft power that showcases British excellence, from Venice to Osaka and in every corner of the world. Much of the spending in this area is devolved, but the principle and opportunities extend UK wide. Indeed, the right hon. Member for Maldon (Sir John Whittingdale) mentioned David Tennant, who started out in Scotland. We are seeing the important role that the arts play in young people’s academic development in the move from a STEM approach, to one of science, technology, engineering and maths education also including the arts. Creative subjects foster development that enhances the learning of science and technology, producing innovation in industry as well as in the creative industries. The hon. Member for Hartlepool (Mr Brash) mentioned how the creative industries have a broader influence in our social care sector, and I want to highlight how creative industries at the grassroots benefit our communities and reduce costs to the NHS and social care. My constituency contains numerous examples, such as the Kirkintilloch Players, the Antonine theatre group, and Creative Spark Theatre Arts. They connect young people, developing their confidence, creativity and social skills, using the power of the arts. Programmes such as the East Dunbartonshire initiative for creative therapy—EDICT—demonstrate the social benefits of arts funding, providing services to help people manage mental health challenges, and supporting those on the autism spectrum. By offering a creative outlet and constructive ways to cope, those organisations reduce the strain on our already stretched NHS and transform the lives of those who need it. However clear the social and cultural benefits provided by our creative industries are, serious challenges persist. Since 2010, funding for local arts and culture has fallen by £2.3 billion in real terms. While the UK cut its arts and culture provision by around 6%, other OECD countries such as Germany, France and Finland increased theirs in the same period by 22%, 25%, and 70% respectively. The loss of grassroots support threatens the stability and future growth of community-based arts organisations and the wellbeing of our communities. EDICT in my community experienced a 70% funding reduction at the end of last year. As Liberal Democrats we believe in funding the creative arts, including fine art, music, theatre, literature, film, digital and media, which are crucial to maintaining a talented skilled workforce and a healthy and vibrant economy.