Martin Rhodes MP: speeches

Speeches

• 26 Jun 2025 · BBC World Service Funding · Hansard source

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  It is a pleasure to serve with you in the Chair, Sir Jeremy. In recent years, we have seen a rise in disinformation, with malign actors seeking to sow division and distrust within communities, across countries and throughout entire regions. One of the key problems with our global information ecosystem is that it takes significantly more time and effort to refute false or misleading information than it does to produce it. That is why continued funding and support for the BBC World Service is not just desirable but essential: it acts as a factual counterweight to disinformation. There is documented evidence of states such as Russia employing trolls to spread misinformation internationally, in countries such as the UK and India, on platforms such as Facebook, Instagram, TikTok and Twitter. In 2020, Facebook uncovered a Russia-linked disinformation campaign run through a front organisation in Ghana. The operation used fake accounts to post about US social issues such as race, LGBT rights and celebrity culture, aiming to sow division while concealing its Russian origins. Those and similar actions are designed to accelerate societal division and encourage support for illegal and unethical activities such as the invasion of Ukraine. In contrast, the BBC World Service shares a balanced view of international developments, delivered through news, speech and discussion, on TV, on radio and online, in 42 languages around the world. It is the world’s largest external broadcaster by reception area, language diversity and audience reach, with an average weekly audience of 450 million. It reflects and projects impartial, accurate and independent journalism. In an increasingly competitive global media environment in which authoritarian states invest heavily in state-run media, the BBC stands as a trusted voice globally. The case for the BBC World Service is about not only the rise of disinformation but the decline of similar global news services, of which the closest in scale was Voice of America, as mentioned by my hon. Friend the Member for Bury St Edmunds and Stowmarket (Peter Prinsley). A striking example of the self-defeating nature of the cuts to such organisations and to impartial global journalism came when Persian-language reporters for Voice of America who had been on administrative leave were called back to work following the escalation of tensions after Israel’s attacks on Iran. Just days after returning, these journalists reportedly stepped outside for a cigarette break only to find themselves locked out of the building, and they were then informed that they had been dismissed. At a moment of heightened geopolitical instability, when their language skills and regional insight were more valuable than ever, the termination of their employment was not just poorly handled; it was a serious loss for factual reporting, both for the region and for the global audience. That is precisely the role that BBC World Service continues to play. In the absence of other trusted international broadcasters, the BBC must fill the gap. If we do not, others will, and the voices that take the place of the BBC might not be platforms promoting informed and informing journalism. I trust that in her closing remarks the Minister will recognise the role of the BBC World Service and give her support to its continuing existence.

• 24 Jun 2025 · War Memorials · Hansard source

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  It is a pleasure to serve under your chairship, Mr Stuart. I congratulate my hon. Friend the Member for Cowdenbeath and Kirkcaldy (Melanie Ward) on securing this important debate on the role of war memorials. Glasgow North is home to the Western Necropolis, where nearly 500 service personnel from both world wars are laid to rest in Commonwealth war graves. Among them are Canadians, Australians and even American volunteers who served in Commonwealth forces. Their graves are a solemn reminder of Glasgow’s role as a hub of military activity, from shipbuilding on the Clyde to the hospitals that cared for the wounded. The care and preservation of such sites is about not just maintenance but memory and ensuring that the stories of those who served are not lost to time and neglect. Remembrance must not only look back; it must evolve to reflect the full breadth of our shared history. Recently, I had the opportunity to visit the Kelvingrove Museum with representatives of Colourful Heritage, which has been closely involved with a new exhibition that highlights the contribution of the more than 4 million British Indian Army soldiers who served in the two world wars. It is a striking and necessary addition to our understanding of those conflicts. Colourful Heritage has already done important work in schools across Scotland, helping young people to engage with this history. It is now taking the next step, with partners, to establish Scotland’s first permanent memorial to the British Indian Army in the grounds of Kelvingrove. Planning permission is in progress, and the design reflects the diversity of those who served: Hindus, Muslims, Sikhs, Christians and those with no religious faith. The memorial will also acknowledge the unique connection between Scotland and Force K6, the all-Muslim Punjabi regiment stationed in Scotland, via Dunkirk, during the second world war. Their story, like so many others, deserves a permanent place in our national landscape of remembrance. I hope the Minister can offer support for that initiative. As we reflect today on how we maintain and fund war memorials and support them, it is worth recognising that remembrance is not static; it evolves. It must reflect the full breadth of those who served and sacrificed. That work being done in Glasgow is a meaningful example of that evolution.

• 24 Apr 2025 · EU Trading Relationship · Hansard source

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  It is a pleasure to serve under your chairing, Sir Jeremy. Due to the limits of time, I will focus on the UK’s creative industries, particularly music and the performing arts. The Department for Culture, Media and Sport estimates that music, the performing arts and the visual arts add approximately £11.2 billion to the UK economy annually and employ 283,000 people. Without dedicated provisions in the UK-EU trade and co-operation agreement, performers, artists and production teams face the challenge of navigating different regulations in each of the 27 EU member states, each of which has its own administrative and financial barriers. Although larger and more established acts may absorb those challenges, they pose disproportionate barriers to emerging talent. Furthermore, this acts as a barrier to cultural exchange between the EU and the UK. Ease of travel for artists and musicians helps to strengthen relationships and business connections across the continent and helps both cultural scenes to thrive. While I welcome the Government’s assurances that they are seeking some form of specific cultural carve-out, or at least allowances for music rules, performing arts and culture touring, there remains a greater need for a systemic change for the creative industry’s access to Europe, and vice versa. That is why I urge the Government to consider a dedicated cultural mobility agreement with the EU or, at the very least, a meaningful cultural exemption to safeguard the future of our creative industries and restore the cultural exchange that has long enriched the EU and the UK. I hope that the Minister will say something on that in his response.

• 3 Apr 2025 · UK Democracy: Impact of Digital Platforms · Hansard source

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  I thank the hon. Member for Lagan Valley (Sorcha Eastwood) for bringing this debate to the Chamber. Throughout history, from the printing press to social media, technological advancements have often outpaced the laws meant to regulate them. Today, digital platforms evolve at a speed that outstrips Governments’ abilities to fully understand or regulate their impact—especially concerning for democracy, which depends on informed citizens making choices shaped by debate. Yet democracy is increasingly undermined by bad faith actors, misinformation and manipulation. As digital natives and future voters, young people face particular risks, and Governments owe them a duty of care to help them to develop in an informed and safe way online. However, older citizens with less experience of social media and newer tech platforms can also face difficulties in how they interact and interpret information or disinformation. In addition to the risks of early forms of digital platforms for democracy, such as the spread of misinformation, contemporary digital platforms now possess novel risks such as deepfakes, AI bots and short- form video content. I will focus my speech on how this situation relates to our democratic engagement. In Scotland, 16-year-olds have the right to vote in local and national elections; with the Government’s manifesto promising votes at 16 in UK elections, it is important to consider the impact of digital platforms on young voters and the younger generations who will one day become voters. It will not surprise many to hear that young people are extensive users of digital platforms and that their online habits are evolving rapidly. According to Ofcom, 86% of 9 to 16-year-olds use social media, and even among children as young as 5 to 7, a third are now active online. Platforms such as TikTok and Discord are increasingly shaping young people’s understanding of the world, including politics. Ofcom reports that children aged 5 to 15 are now spending an average of five hours and 24 minutes a day engaged in social media activity. It is right to note that there are benefits to the use of digital platforms by young people in our political system. These platforms allow young people access to the entire sum of human knowledge, and therefore have real scope as a great source of education and knowledge. They can not only provide helpful information and analysis on our politics, but act as a new means of getting young people engaged and interested in our democratic system. Despite these benefits, it remains the case that there are real risks and harms associated with children’s use of social media and their outlook on democracy. Recent TV shows such as “Adolescence” have highlighted that digital platforms can act as echo chambers where extremist communities can influence young people’s ideas and opinions. A recent survey published by the University of Glasgow’s John Smith centre, based in my constituency, found that nationally, 57% of 16 to 29-year-olds would prefer to live in a democracy; that said, 27% of those surveyed would prefer to live in a dictatorship. The fact that more than a quarter of this age group would prefer to live in a system completely juxtaposed to our own democracy should be a warning to us all. In difficult times globally, with uncertainty and disruption to previously accepted patterns of international, national and local environments, the lure of simplistic but dangerous solutions promoted by bad faith actors can be all too persistent. I welcome the actions taken to address these challenges by committing both to making the digital world a safer place for young people and to delivering real, tangible improvements in their lives through other policy initiatives, but we must work harder as we move forward to respond to the ever-changing environment of online activity that we face. Social media giants must be held accountable for the role their platforms play in shaping public discourse, and no tech executive should be above the law. I commend the efforts of the hon. Member for Lagan Valley in securing this Backbench Business debate and introducing it today. We must not only protect young people—and, in fact, all citizens—from harm online, but equip them with the tools to shape their future, assuming they are not just passive consumers of digital content, but informed and engaged citizens in our democracy.

• 5 Nov 2024 · Scotland’s Architectural Heritage · Hansard source

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  My hon. Friend talks about the restoration of the art school. Does he agree that it would be an important impetus to give focus to an area that is so rich in cultural heritage and the arts? The art school is there, but so too, in the vicinity of Sauchiehall Street, are the King’s Theatre, the Pavilion, the Theatre Royal, the Royal Conservatoire, the Glasgow Film Theatre and so on. The restoration of the art school could be the impetus to bring that together and create a much more vibrant area—at the moment it feels a bit neglected.

• 4 Nov 2024 · Income Tax (Charge) · Hansard source

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  Because of the limits on time, I will mostly keep my comments to one sector of the economy: the cultural sector, which is very significant in the Glasgow North constituency. I very much welcome the measures in the Budget to support the arts, culture and creative industries by implementing the 45% and 40% rates of theatre, orchestra, museum and galleries tax relief from April next year. Those measures, along with the Government’s recognition of the creative and arts sector’s contribution to the economy, are so important. That is particularly clear in my constituency, given the presence of important venues and institutions including Scottish Opera, King Tut’s, the National Theatre of Scotland, the Royal Conservatoire, the Royal Scottish National Orchestra, the Theatre Royal, the Pavilion, the King’s theatre, the Kelvingrove art galleries, the Hydro, the School of Art, the Mitchell library, BBC Studioworks, the Gallery of Modern Art, the Glasgow Royal concert hall, the Hunterian Museum and the Riverside Museum, to name just some. It is very easy to think of the sector in terms of performers—dancers, singers, musicians; those on the stage and those in front of the cameras—but there are also very many skilled professionals employed in the sector: the sound technicians, the costume design teams, the camera operators, the lighting engineers, the archivists, the conservation experts, the prop makers and the stage managers, along with the teams in front of house, facilities, security and so on. The sector adds to the rich and diverse cultural life of the city, but it also adds to the local economy, drawing visitors to the city, employing thousands of people and creating customer demand for nearby businesses. The Budget presented to the House last week delivers the largest settlement for the Scottish Government in the history of devolution. It is a clear and tangible sign of the importance of Scotland to this Government—a Government committed to delivering for Scotland and for all of the UK. This is how we deliver for working people: with the end of the era of austerity, raising much-needed cash for our under-resourced public services and delivering a pay rise for 200,000 of the lowest-paid Scots. I recognise that much of policy on culture and the arts is devolved. With the record settlement in this Budget, it is time for the Scottish Government to play fair by the sector, and to finally end the blame game and end their waste and financial mismanagement. They have the powers and the resources; they need to deliver to ensure that the working people of Glasgow and Scotland truly benefit from this transformative Budget.