Ian Murray MP: speeches 2026

Speeches

• 5 Mar 2026 · Local Museums · Hansard source

  More

  The key thing is that responsibility lies with the Scottish Government, and it is for them to determine how they spend the money. I am very clear in acknowledging and understanding the concerns of Scottish churches about no longer having access to the UK-wide VAT reclaim scheme. The UK Government have introduced a scheme for England, and the Scottish Government have to determine how they spend their budget, and whether they introduce a scheme for Scotland. However, based on the Budget they have just passed, they seem to have reduced the funding for historical places, rather than increase it. I encourage all those in the Scottish diaspora to get in touch with the Scottish Government to push the Culture Secretary to replace that scheme. My hon. Friend the Member for Stoke-on-Trent South (Dr Gardner) represents the centre of the world for the Potteries. I feel as if I live in Longton, I have heard so much about it in the lobbying that is going on for town of culture. I am very happy to be bribed further.

• 5 Mar 2026 · Local Museums · Hansard source

  More

  It seems to me that some Opposition parties like to be bastions of freedom of speech until they disagree with what that freedom of speech is used to say.

• 5 Mar 2026 · Local Museums · Hansard source

  More

  We should congratulate everyone involved. The way that we curate and develop museums is renowned across the world. Many countries look to the UK for the expertise to build their own capability, because we do the best museums and exhibitions in the world and have the best skills. Congratulations to all of them. My hon. Friend the Member for Stoke-on-Trent South wants to talk about the Lunar Gardens project. Baroness Twycross will be delighted to talk to her about that, and we will make sure my hon. Friend has an appropriate meeting in place as soon as possible. My hon. Friend the Member for Derby North (Catherine Atkinson) talked about her three children, and how museums are a key component of the local community and education. She also talked about entertainment and telling the stories of the past that shaped future generations. I have a five-year-old and a one-year-old, and my five-year-old loves being in museums. He loves looking at the exhibitions, but he loves just being in big spaces he can enjoy and run around in. I do not know if Dracula is a son of Derby, but it is something that we should perhaps debate further, maybe in an Adjournment debate with the lights out. My hon. Friend the Member for West Dunbartonshire (Douglas McAllister) is absolutely right that Denny’s shipyard built the Cutty Sark, and it celebrates the proud innovation and heritage of shipbuilding on the Clyde. It might not be an entirely accurate statistic, but I think I am right in saying that, 150 years ago, 90% of the ships sailing anywhere in the world were built either on the Clyde or somewhere near the Clyde. That innovation and heritage has to be respected and celebrated. He rightly talked about the local pride of maintaining and developing local museums that tell local stories. I think the statistics show that 89% of adults say that museums are important to their local pride and local culture. My hon. Friend the Member for Middlesbrough South and East Cleveland (Luke Myer) said that Captain Cook would probably have been a constituent 300 years ago. I would probably describe him as an L5Y—only half the Chamber will know what I am talking about. Again, Baroness Twycross will be delighted to meet my hon. Friend to talk about some of the issues he has with museums in his constituency. He said something important that sums up the whole debate: “Some museums are small in scale but enormous in impact.” That is great for telling local stories. It is the impact on young people, schools and heritage that he is talking about. He also talked about the Land of Iron getting a national title. Arts Council England, via accreditation, will consider all requests from museums to become nationally styled where they have a strong story and strong case to make. On the Captain Cook Museum, Middlesbrough council museums were awarded £240,000 from the museum renewal fund last year, and the Land of Iron was awarded a MEND grant worth £650,000 in February last year, so we are supporting those museums. For the hon. Member for Bath, we had 93% satisfaction for her speech as well. She talked about what is happening with the Bath museums, and she talked about museums closing and the delicate position that many local museums, particularly smaller ones, are in. I do not want to diminish the seriousness of a lot of the stories we have heard about our local museums, but an independent academic study has found that since 2000 the number of museums in the UK has risen. Despite the 500 closures since 2000, there have been more new museums in the UK, although it has plateaued since about 2015-16. There is a lot of work to do, but it is not all bad news in our museum sector. Arts Council England supports the museums and schools programme with £1.2 million a year to make sure it happens. It is wonderful that the shadow Minister has some Dracula jokes, but they are so old that perhaps they should be in a museum themselves. However, museums need local authority funding. We should not turn this into a political debate, as it has been so collegiate today, but the last Government, during their 14 years in power, completely and utterly decimated local authority funding right across the country. That was the starting point for culture and arts to be diminished—they are not statutory, so they fall away. On the Hodge review, Arts Council England has been looking not only at how local authorities can be better supported but at how they can be better held to account for what they do on arts and culture. Hopefully, the review will come through and we can respond very soon. The shadow Minister, the hon. Member for Farnham and Bordon (Gregory Stafford), made a strange point about freedom of speech and editorial freedom. I do not think it is for the Government or the Opposition, or indeed any politician, to tell museums how they should celebrate our heritage. Many of the political issues we are dealing with today relate to the past. Some of the best museums in the world that I have visited address political issues such as slavery, and we should make sure that we maintain that approach. Actually, a lot of the stories we tell in politics today are not new—they are stories of the past—and I hope the public engage with them, and the public will determine whether they are good things to reflect.

• 5 Mar 2026 · Local Museums · Hansard source

  More

  It is a great pleasure to see you in the Chair again, Ms Lewell. I do not know what you have done to upset someone—you are in the Chair constantly—but thank you very much indeed for chairing this debate. It is a great pleasure to respond to it. I echo the congratulations to my hon. Friend the Member for Thurrock (Jen Craft) on securing the debate. What a tremendous champion for her constituency she is. We could probably conclude the debate now with me saying that Edinburgh is the permanent city of culture in this country—it does not need a prize to be told that; it has some of the best museums. We could put that to a debate if Members so wish. My hon. Friend is right to highlight the tremendous value of local museums, history and culture in our constituencies. The Purfleet Heritage and Military Centre, which we have heard a lot about, is an excellent example of a museum working for and with its local community. It tells the varied local histories of its community with pride, from Purfleet’s national impact as a key player in the UK’s military and industrial story, to the town’s links to Bram Stoker and Dracula—although we have heard some debate about whether it is indeed the home of Dracula. That is not to forget the museum’s sell-out ghost tours. I think I have seen an advert saying that tickets are still available for the tours coming up at Halloween. The Purfleet Heritage and Military Centre achieves all that without any paid staff at all; it is entirely volunteer-led, like 30% of museums in England. I pay tribute to the immense contribution that volunteers make in sustaining our local museums, transmitting local history and identity to new generations, and preserving our proud heritage. I congratulate those volunteers—Trevor, Polly, Ollie, Sylak, Jeff, Phillip, Claire, Yvette, and, of course, Alan and Sue Gosling—and thank them for all they do for the Purfleet Heritage and Military Centre. Alan has passed away, but he left a significant legacy. I thank them for all they do. As noteworthy as Purfleet is, I am pleased to say that it is not an isolated case across the country. Today, I have had the privilege of outlining the vital role that museums up and down the country play in celebrating our local and national stories. As civic institutions, integral to our national and local cultural life, they are hugely valuable as places of learning, community and, of course, entertainment. This Government are committed to championing our local museums, and to working in partnership with councils and communities across the country to see them flourish for the future.

• 5 Mar 2026 · Local Museums · Hansard source

  More

  It is all taxpayers’ money and public money, and it is the public’s money as well. The public can decide whether they wish to attend these exhibitions. They can even ask their local museums to put on other curations. However, it is important to see that in the context of what our museums do. We might not agree with everything we see—in fact, we might agree with only a small proportion of all the stuff we see—but we should be exposed to it. That is what art and culture have been doing for centuries: expressing views. Looking at a painting is just about as politically expressive as seeing an exhibition about Extinction Rebellion. I am conscious of time, so let me conclude by saying two more things. First, I will say a little about the vital role that museums play in schools and communities. For example, the Essex Fire Museum in Grays, in the Thurrock constituency, is a brilliant example of a museum partnering with schools in its local area to deliver practical, hands-on education that engages children in learning environments outside the classroom. The museum runs an impressive learning programme in schools, offering immersive experience of fire service history, as well as sessions designed to engage children with subjects such as home safety, cyber-safety and the environment. Arts Council England’s museums and schools programme, which is funded by DCMS, works with 18 museum partnerships across the country—from Blackburn to Scarborough to Bristol—providing money to connect museums with local schools. The programme reaches over 200,000 pupils across the country, which is key. There is also placemaking and tourism, of course, as they are great drivers of footfall, and not just on our high streets but anywhere there is a museum. They drive footfall towards the areas where we want people to spend their money. Reviving our town centres is a key component of what the Government want to achieve. The average museum contributes nearly £350,000 to its local economy through visitor numbers alone. The role of local museums, as the cultural heart of our communities, in protecting, exploring and sharing our diverse local stories is undeniable. Today we have heard examples of the immense and varied contributions that museums have made across the country. The Government will not neglect local museums. We have committed significant new funding to the sector— historically high funding—and forthcoming publications and policies, including our response to the Hodge review, will further our commitment to the museums sector right across the country. That will outline the breadth of our ambitions for the sector, now and into the future. I thank all hon. Members for championing their local museums.

• 5 Mar 2026 · Local Museums · Hansard source

  More

  I do not want to get into a debate about Extinction Rebellion or any other organisation, but I feel obliged to respond directly to that point. If my five-year-old daughter sees an exhibition on Extinction Rebellion and starts to talk about climate and other current political issues, I think that is what museums are there to do. They are not just there to celebrate heritage and the past; they are there to educate and inspire for the future. We do not have to agree with any of those exhibitions. In fact, I have not particularly agreed with some of the exhibitions and creative curation I have seen, but I have still engaged with them to be able to have a political debate.

• 5 Mar 2026 · Local Museums · Hansard source

  More

  I can certainly congratulate everyone in Rugby, and especially at the museum, on that particular project. Throughout the course of this debate, I have been invited to a number of museums across the country. I am very happy to report that it is not my ministerial responsibility, so I will accept all those visits on behalf of Baroness Twycross in the other place; I am sure she will have a lovely time touring the country. My hon. Friend the Member for Bermondsey and Old Southwark (Neil Coyle) mentioned the Brunel Museum and the work that it does. I was struck by the fact that it has the very first boring machine in Britain, and by that did in terms of building under the Thames, and all that infrastructure of the industrial revolution. Now, I would perhaps suggest that my hon. Friend is the very definition of a boring machine, and that is why I think he quite rightly represents the Brunel Museum.

• 4 Mar 2026 · Draft Data (Use and Access) Act 2025 (Consequential Amendments and Transitional Provision) Regulations 2026 · Hansard source

  More

  I beg to move, That the Committee has considered the draft Data (Use and Access) Act 2025 (Consequential Amendments and Transitional Provision) Regulations 2026. It is lovely to see you in the Chair, Ms Lewell, as it always is. We have a rowdy bunch of Members on the Committee—I hope does not mean that we will be here too long. I am pleased to speak to these regulations, which were laid before the House in draft on 2 February this year. They are fairly straightforward: they make consequential amendments to references to the Information Commissioner and the Information Commissioner’s Office across the statute book, reflecting the reforms to the regulator’s governance structure that were introduced by the Data (Use and Access) Act 2025. The Act abolishes the Information Commissioner, which is a corporation sole, and transfers its functions to a new body corporate, the Information Commission, led by a chair, chief executive and other executive and non-executive members with collective decision-making responsibilities. That will increase diversity and resilience at the top of the organisation, so that the Information Commission can function effectively with independence and integrity. It will also bring the Information Commission in line with how other regulators, such as Ofcom, are governed. The regulations prepare the statute book for the transfer of regulatory functions from the ICO to the new Information Commission later this year, and, as such, they ensure legal clarity and certainty by amending references to the Information Commissioner and their office in primary and secondary legislation to refer instead to the new Information Commission or, where appropriate, a specified member of the commission, such as the chair, in instances where it is necessary to allocate a specific statutory duty to a neutral person, such as supplying information on oath. The consequential amendments will ensure that the statute book is coherent, consistent and provides full legal clarity to support the transition from the ICO to the Information Commission. The regulations also amend the title of the regulator across relevant Scottish, Welsh and Northern Irish legislation. My officials consulted devolved Government officials on these changes last summer, and they were content with the approach taken in the regulations and the specific amendments to Acts and instruments of the devolved legislatures. I have also written to the relevant devolved Ministers to inform them of the nature and scope of the changes. Regulation 3 contains a transitional provision that provides for the Information Commissioner to retain their existing pension arrangements for the duration of their tenure as the first chair of the Information Commission, a role the Information Commissioner has assumed on the commencement of schedule 14 of the Data (Use and Access) Act on 20 August 2025, pursuant to sub-paragraph 2(2) of that schedule. I am sure everyone is keeping up. The regulations also contain three minor and technical amendments to the Data Protection Act 2018 in consequence of section 67 and 91 of the Data (Use and Access) Act. Those changes are to signpost references correctly and reflect numbering changes. They do not have any substantive legal effect at all. The consequential amendments, alongside the transitional provision and other minor and technical amendments contained in the regulations, will facilitate the smooth governance transition from the Information Commissioner’s Office to the new Information Commission.

• 4 Mar 2026 · Draft Data (Use and Access) Act 2025 (Consequential Amendments and Transitional Provision) Regulations 2026 · Hansard source

  More

  I do not think that it will expand or detract from them. The role of head of the Information Commission is exactly the same as the role of Information Commissioner. [ Official Report, 11 March 2026; Vol. 782, c. 3WC.] (Correction) Obviously, before the role was held by an individual with the Information Commission below them. The regulations are formalising that under the 2025 Act. I am happy to write to the hon. Gentleman on the terms and conditions of the Information Commissioner. Although we have strayed into other aspects of the subject, these are very straightforward regulations. I am glad that we have had that kind of scrutiny, and I commend the regulations to the Committee. Question put and agreed to.

• 4 Mar 2026 · Draft Data (Use and Access) Act 2025 (Consequential Amendments and Transitional Provision) Regulations 2026 · Hansard source

  More

  Let me answer the questions from the shadow Minister. Do we agree with the Conservative party on how they tabled the new clause? No, we do not. The consultation into the Online Safety Act 2023 and the protection of children online was launched this week. The sheer volume of responses that we have had so far justifies the fact that we should have that national conversation. It is not straightforward. First, the Government have to get that right, and, secondly, we have to take into account a whole host of views, including from charities that are very much against those kinds of issues. We have to listen to young people, too, and that is a very clear component of the consultation. The regulations are not directly related to that, but I am happy to answer those questions. I hope that the Opposition will engage with that consultation in good faith and suggest what they think should happen. They already support the ban and should therefore propose it.

• 4 Mar 2026 · Draft Data (Use and Access) Act 2025 (Consequential Amendments and Transitional Provision) Regulations 2026 · Hansard source

  More

  Let me take that away, but the answer should be yes. When a lobbying perspective has tried to influence consultations, from Governments of any colour, that has been taken into account when assessing the consultation. Let me take that away and give the hon. Member an exact answer. Even if the consultation receives a bulk of information, that is taken into account when the analysis is done. The statutory instrument is very straightforward. It merely changes all references to the old Information Commissioner’s Office into the Information Commission to make sure that the legislation from this place and across our devolved Governments and Administrations is compliant.

• 4 Mar 2026 · Draft Data (Use and Access) Act 2025 (Consequential Amendments and Transitional Provision) Regulations 2026 · Hansard source

  More

  The current Information Commissioner, who becomes the head of the Information Commission, is contracted until January 2027, and the terms will not change for that contract. Through the process of public appointments, the Department will be going through the process of finding a new post-current commissioner. That will all be taken into account as part of that process. Does that answer the hon. Gentleman’s question?

• 26 Feb 2026 · Arts and Culture: Local Government Support · Hansard source

  More

  The hon. Gentleman raises a very good point. Our museum renewal fund, worth £20 million, is supporting three museum groups in Oxfordshire, including Vale and Downland Museum in his constituency. Our new museum transformation programme, a 5% funding uplift for the ACE national portfolio organisation and the museum development network will further support the museum sector in 2026-27. Museums in difficulty are encouraged to reach out to Arts Council England, which can provide guidance and support. I encourage the hon. Gentleman to consider the town of culture competition, which has been very popular with Members across this Chamber, to see if he can get more funding in that way.

• 26 Feb 2026 · Arts and Culture: Local Government Support · Hansard source

  More

  We encourage local authorities to continue to work in partnership with key players in local arts ecosystems, such as Arts Council England, and make the most of the opportunities provided by the mayoral strategic authorities to deliver strategically for culture in their areas. Furthermore, the Government are providing substantial financial support to local governments, committing an additional £3.4 billion in grant funding by 2028-29. That commitment is underpinned by the creative industries sector plan, which includes a £150 million creative places growth fund to support it.

• 26 Feb 2026 · Arts and Culture: Local Government Support · Hansard source

  More

  I thank the hon. Member for being a wonderful champion for Stafford and for culture and arts in Stafford. In February, we announced £1.5 billion over this Parliament for the arts everywhere fund, which is broken down to make sure that we can support infrastructure in every part of the country. The Secretary of State’s and Department’s commitment is to make sure that there is arts and culture everywhere for everyone, and the Department will do everything we possibly can to make sure that gets to Stafford.

• 26 Feb 2026 · Parthenon Sculptures · Hansard source

  More

  It is clear that the UK and Greece do indeed have a strong bilateral relationship built on our shared history and values. We greatly value the friendship that exists between our people and our Governments. It is for the British Museum to seek to reach an agreement with the Greek Government on the loan of the sculptures, as the British Museum is operationally independent from Government, as he knows with his long track record on this. But if they do reach an agreement, the Government would not stand in the way of such a loan.

• 26 Feb 2026 · Parthenon Sculptures · Hansard source

  More

  I have not personally had any discussions with my counterpart in the Hellenic Republic on the future of the management of the sculptures. The sculptures are legally owned by the trustees of the British Museum. The chair of the British Museum has been in discussions with the Greek Government about a partnership, including reciprocal loans.

• 26 Feb 2026 · Traditions · Hansard source

  More

  This Government are championing the UK’s living heritage: the crafts, customs and festivals that are important for local pride and community cohesion. Following the ratification of the 2003 UNESCO convention, we invite communities to submit their traditions to inventories of living heritage in the UK. Some examples are Up Helly Aa on Shetland, the Notting Hill carnival and, some might argue, the hon. Member for Strangford (Jim Shannon).

• 26 Feb 2026 · Traditions · Hansard source

  More

  The hon. Member makes a great point, and I congratulate to his father on being the professional at St Annes cricket club—I think he said that it was in 1973. If the hon. Member gets in trouble for saying that, I have just said it as well. We know our cricket clubs and all our sports clubs are right at the heart of our communities. We want them to thrive and they should be thriving. This Government are fully committed to ensuring that all our sports clubs thrive. It is not just about enjoying that cricket with a cold beer, as the hon. Member says he does and like many hundreds of thousands do every Saturday, but about young people being involved and the way in which that takes them into the future of work and sport.

• 26 Feb 2026 · Traditions · Hansard source

  More

  I would be delighted to go to Luton carnival; it sounds slightly less scary than participating in skeleton. We would welcome a submission to the living heritage inventories for Luton carnival, which is an important event in my hon. Friend’s constituency, as she has laid out. Congratulations to everyone involved in organising the carnival, not just now but in the last 50 years. We want to celebrate the UK’s diversity and encourage diaspora communities to contribute, ensuring that all practices are fully represented in our living heritage inventories. I will pass on her kind invitation, as well as to me, to the Minister for Heritage in the other place, who I know had an enjoyable time learning about Luton’s rich heritage when she visited last year.

• 26 Feb 2026 · Topical Questions · Hansard source

  More

  It is not just about building homes and economic drivers; it is about building cultural and heritage communities as well. It is fantastic to see so many infrastructure projects taking shape across Cambridgeshire and Cambridge this year. Cambridge already has a fantastic cultural offer, with Arts Council England’s national portfolio programme already supporting organisations like the New International Encounter and Oblique Arts, both of which work with communities across the region. I encourage my hon. Friend to ask all of his cultural organisations to look at the £1.5 billion Arts Everywhere fund—that record funding was announced last month—and maybe the city or town of culture programme.

• 26 Feb 2026 · Topical Questions · Hansard source

  More

  I commend my hon. Friend’s campaign for Newcastle’s swing bridge in its 150th anniversary year. I know the Minister for Heritage, who sits in the other place, has been dealing closely with her on those issues. I understand that Newcastle city council is leading a feasibility study on returning the bridge to full operation, which should help us to understand if and how this magnificent grade II listed building and scheduled monument can be brought back to life. I share my hon. Friend’s aspiration to allow the bridge to swing.

• 25 Feb 2026 · Bayeux Tapestry Exhibition · Hansard source

  More

  It is an enormous task to deliver such a historic exhibition, but doing so in such a short timeframe is a particular challenge. Usually, exhibitions at our major museums take three to five years to plan, but the British Museum is rising to the challenge of putting this exhibition on in a little over one year, as well as developing a national programme of education and engagement to spread knowledge of the tapestry and the Norman conquest throughout the country. On the point that my hon. Friend the Member for Hastings and Rye made about deprivation and educational attainment in her constituency, I think we should use this as a platform and foundation on which to build, for children, children of the future, and the inspired historians we may be able to get as a result of this. The tapestry is unique, and care of it is underpinned by expertise on both sides of the channel. Concern has been expressed in some quarters about whether the tapestry will be able to travel safely. I am pleased to say that the British Museum is working closely with its French counterparts, and is bringing its world-leading expertise to bear to ensure that the tapestry can travel here safely for this unprecedented loan and be seen by as many people as possible. That is key. I understand that many areas of the country claim close links with the Norman conquest, so many Members of this House would claim a special interest in this area, including those from where the Bayeux tapestry seems likely to have been made, Canterbury. The north of England also has historic connections to the Norman conquest—they are not necessarily exactly positive—due to the harrying of the north carried out by William the Conqueror. We can all agree that the battle of Hastings, depicted on the tapestry, is of critical importance to the history of us all. I congratulate my hon. Friend the Member for Hastings and Rye on her tenacious campaigning for her constituents, particularly in the educational field, and seeking to ensure that schoolchildren in her constituency and neighbouring constituencies are able to see the exhibition and understand the significance of the area that they live in to the history of our country. I have been assured by the British Museum that schools in her area will receive priority booking, reflecting the salience of the area to the events of 1066, and the huge local interest. I understand that she, together with the British Museum, is working with Southeastern Railway to offer at least 1,066 tickets, at heavily reduced rates, to London to schools in 1066 country.

• 25 Feb 2026 · Bayeux Tapestry Exhibition · Hansard source

  More

  My hon. Friend raises the key principle behind what the Secretary of State for Culture, Media and Sport and I do, in the Department and right across the country. I am an Edinburgh MP, but I remember studying the Bayeux tapestry in primary school some 40 years ago—I know that hon. Members will find that hard to believe. To get children and schoolchildren really interested in this exhibition, we have to ensure that they can get to London, and that the educational programme spreads out across the country. We also have to ensure that those who want to see the tapestry can see it, because the legacy has to be for younger people and those others who have an interest in it. I know that all this would not have been achieved without the hard work of my hon. Friend on behalf of her constituents and their children. The exhibition will be free to all under-16s with a paying adult, wherever they are from. More broadly, the museum is developing plans for family activities, including an open family festival, three to five days of activities across all school holidays for the duration of the exhibition, and a finale family festival. There will also be exclusive school mornings, in which there will be free access to see the tapestry for schools during term time. On top of that, the museum is planning on rolling out a variety of exciting digital content that children across the whole country will be able to enjoy, whether they are in a history lesson at school or at home with their friends and family. The British Museum is developing an ambitious national programme of education and engagement to raise awareness of the importance of the tapestry and the Norman conquest to the history of the whole country and its heritage, culture and language. Indeed, as we know, Norman French is still used in some parliamentary procedures, such as the granting of Royal Assent. The museum’s national programme will involve more than 100 sites that have developed content that demonstrates the far-reaching consequences of the Norman conquest. That includes working with English Heritage, the British Library, the National Archives and Norfolk Museums Service. The aim is to ensure that as many people as possible will be able to take part in and engage with the loan of the tapestry to the British Museum, wherever they are in the country. The museum is working with a range of stakeholders in the Hastings and Battle area to ensure that the local community is engaged with the exhibition. I will take away the issues raised by my hon. Friend the Member for Hastings and Rye about making sure not just that people can get to London, but that tourists and others can go to 1066 country to see what is there. That will improve the tourist economy and the experience of the tapestry being here. More generally, 2027 marks 1,000 years since the birth of William the Conqueror. The region of Normandy is marking that with a wide-ranging series of activities, including on an international level. That will involve Scandinavia, where the Normans originally came from, and areas that their influence reached, such as Ireland, Sicily and the south of Italy, and, of course, our country. This is a unique opportunity to deepen and engage the public in the UK-France relationship. That will happen alongside wider work on the Year of the Normans and the strength of our cultural partnerships, such as those between the British Film Institute and the French Centre National du Cinéma, and between the national heritage bodies of both countries. Furthermore, in 2027, the Grand Départs of both the Tour de France and the Tour de Frances Femmes will be in the UK, with one being in Edinburgh. That is another demonstration of the close links between the UK and France. My hon. Friend the Member for Hastings and Rye mentioned potholes in her constituency—I hope ours are filled in by the time the cyclists come to Edinburgh. That is a challenge for the local authority in Scotland. In this increasingly polarised and divided world, the links that culture and sport can create are more important than ever, especially with our close neighbours, with whom we share so much history. However, I wish no luck whatsoever to the French rugby union team, which is coming to Murrayfield a week on Saturday for the six nations. Those cultural and sporting links are important to us all. Of course, the battle of Hastings is not the only historic event represented in the tapestry. It starts by showing Harold swearing a solemn oath in Normandy in 1064 after being shipwrecked there. The oath is widely assumed to be in support of William’s claim to the throne of England. The tapestry then shows King Edward the Confessor’s funeral at Westminster Abbey, after which Harold claims the throne. It then depicts ships being built in Normandy, as William prepares an invasion after Harold is crowned King of England, before moving on to events in England before the battle, but after William and his army landed at Pevensey Bay in East Sussex, where William ordered a castle to be built. The battle of Hastings itself is then depicted. At one point, William raises his helmet to show his troops that he is still alive. That is followed by the famous scene that seems to show King Harold being killed by an arrow in his eye. The tapestry gives an account of how William the Conqueror came to power in England. As it was likely to have been made on the orders of William’s half-brother, Bishop Odo, it is obviously an account written—or rather, embroidered—by the victors. This is a national event, so many other Members of the House will have a keen interest in the tapestry coming here and in the legacy of the Normans, as it is felt throughout the United Kingdom. That said, the Hastings and Battle area, and 1066 country more generally, has a fantastic tourist offer that will never be more relevant than this year and the next. I encourage the British Museum to strengthen its work with the 1066 country tourism board. I should note that the British Museum will host a briefing in Parliament on Wednesday 22 April to update all parliamentarians on the loan, the exhibition and the museum’s national programme of education and engagement. I encourage all interested colleagues to attend that, and to engage with the museum and with Lord Ricketts in the other place. I very much look forward to seeing the tapestry in the British Museum. I hope that as many of the constituents of my hon. Friend the Member for Hastings and Rye as possible are able to see it, in particular schoolchildren, so that they can learn about the history of this country through this exceptional work and be inspired for the future. I urge visitors to the exhibition to follow their visit by going to see where it all happened in 1066 country, so that they see not only the tapestry, but the places themselves. I commend my hon. Friend for bringing this debate to the Chamber. Question put and agreed to.

• 25 Feb 2026 · Bayeux Tapestry Exhibition · Hansard source

  More

  I am pleased to respond to this debate. I congratulate my hon. Friend the Member for Hastings and Rye (Helena Dollimore) not only on securing this debate, but on her lovely speech. I noticed that she did a little bit of lobbying for Hastings to become the town of culture, and I am sure my officials noted that. This will be the first time since the Bayeux tapestry left the UK over 900 years ago that it returns. It is a very important moment. I was reflecting that perhaps the modern battle is between the hon. Member for Bexhill and Battle (Dr Mullan) and my hon. Friend the Member for Hastings and Rye on where the battle actually took place. Perhaps there will be a tapestry made of that particular battle in the years to come. The tapestry coming to the UK is more than a once-in-a-lifetime opportunity—it is a once-in-a-millennium opportunity. We must celebrate that and get the most out of it, as hon. Members have said. I start by paying tribute, as my hon. Friend did, to the director of the Bayeux Museum, Monsieur Antoine Verney, who sadly passed away just two weeks ago, and extend our heartfelt sympathies to his family and to his colleagues. His contribution over the years to promoting knowledge of the tapestry and sharing it widely, including with colleagues in the British Museum, is a lasting legacy that we must honour and build upon when the tapestry arrives here this year. I extend my gratitude, on behalf of the UK Government, to our friends on the French side, who are doing so much to enable the loan, including President Macron, of course, and the Minister of Culture, Rachida Dati. Their role in supporting this loan has been crucial to making it happen. I also pay tribute to the hard work and commitment of the UK Government’s envoy on the tapestry, Lord Ricketts, and his French counterpart, Philippe Bélaval. I thank all the people who are making this loan possible, including the French Ambassador to the UK, the President of the Normandy region, the Mayors of Bayeux, Rouen, and Caen, as well as senior figures in the regional cultural authority and, of course, colleagues at the British Museum. The Bayeux tapestry will be on display at the British Museum from September 2026 through to July 2027. I thank the British Museum for working so hard to enable this exhibition, and for its generosity in loaning the Sutton Hoo treasures, the Lewis chess pieces and more than 220 drawings by Renaissance masters from its collection to museums in Caen and Rouen in Normandy for displays in 2027 to coincide with the celebration of the year of the Normans, marking 1,000 years since the birth of William the Conqueror. I am not sure if the hon. Member for Strangford (Jim Shannon) remembers the birth of William the Conqueror.