Gareth Snell MP: speeches

Speeches

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  The right hon. Gentleman has made a number of contributions this afternoon and I have listened to them all, but I am not clear whether he supports the removal of hereditary peers from the House of Lords. Perhaps before he concludes his speech he could put it very clearly on the record whether he supports the principle of removing hereditary peers.

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  Again, I am surprised I have to explain to the right hon. Gentleman how legislation works. A Government do not legislate on their whole manifesto in one Bill at the beginning of a Parliament. Those on my party’s Front Bench have said, and I fully accept that this is the right way to do it, that there will be a sequence of reforms over time, starting with the expulsion of the hereditary peers. That is the simplest way to start this process, allowing time and space for considered debate about the other proposed reforms that were in our manifesto and were supported by the British people. In conclusion, all this Bill does is seek to end a 27-year anomaly that first came about when the Conservative party objected to previous reforms. By voting for it tonight, we can start to right that wrong, and we can start ourselves on a process of reform of the House of Lords. I look forward to welcoming all my new reforming friends to join us in the Aye Lobby this evening.

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  I thank my Staffordshire colleague for giving way. If he carries on with this strain of radicalism, he might even have a book written about him by the Paymaster General—scant as it might be. Is he taking his point to the final degree? Is he now advocating for the disestablishment of the Church of England, because that is where that argument ends up?

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  The right hon. Gentleman rightly talks about the Salisbury convention. Is that his way of telling us that, as the Bill was a manifesto commitment— as pointed out by the right hon. Member for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson)—Conservative peers will be voting for it to comply with the convention that he has said is so important?

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  The hon. Gentleman just made the point that the hereditary peers are a bastion of independence, and the hon. Member for North West Norfolk (James Wild) said that many of the Conservative peers are long-serving Members of his party’s Front Bench team. How can those two things be reconciled?

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  I am not sure that any Labour Member needs to quantify Conservative Members’ embarrassment; they do it for themselves. The hon. Gentlemen seem to be confused about whether they want more or less reform. I think we know that the answer is that they do not want any reform, but they create a smokescreen of wanting to act faster and with more zeal than Labour Members simply because they wish to ruin the Bill. They want to press amendments that are not relevant and not in the Bill’s scope. They want to make arguments about retirement ages. When the right hon. Member for Stone, Great Wyrley and Penkridge (Sir Gavin Williamson) argued that there should be a retirement age of 80, I am sure that he had not spoken to his right hon. Friend the Member for Herne Bay and Sandwich (Sir Roger Gale), who is 81, although, to look at him, one would not think he was a day over 60.

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  I thank the right hon. Gentleman for his support. There will be more legislation. I am not a Front Bencher, but I know, because our manifesto said that we were committed to further reform, that that time will come. I am sure that there will be legislative time and that he will have an opportunity later in the debate to put the question to Labour Front Benchers directly, or perhaps to table a business question for a Thursday morning. To draw my comments to a conclusion—

• 15 Oct 2024 · House of Lords (Hereditary Peers) Bill · Hansard source

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  I would rather not, if that is okay—anyone else but the right hon. Gentleman. He was only 10 votes away from potentially getting a peerage himself, so perhaps for that reason he may not want to comment on the appointment process.

• 14 Oct 2024 · Reporting Ministerial Gifts and Hospitality · Hansard source

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  I welcome the conversion of the Conservative party to transparency and ethics. Whether it was wallpaper or weddings, or Pincher, Paterson or Benton, Conservative Members were sadly silent when they thought that one of their own should get away with things. May I suggest that my hon. Friend retrospectively apply the new rules to the last 12 months of every serving Member who was a Minister? They should have to declare every piece of hospitality and gift that they received as Ministers, so that we can see exactly what their own record was compared with our cleanliness.

• 9 Oct 2024 · Higher Education: Staffordshire · Hansard source

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  Keele University hosts the Uni Connect hub for North Staffordshire Higher Horizons. On average, 18% of our young people go to university; for those who have interacted with Higher Horizons, the figure jumps to nearly 64%, yet the funding for the scheme is questionable for the next year. I know that the Minister cannot comment on the Budget, but could she take back to her colleagues in the Treasury the importance of securing the funding for that scheme, so that the young people she talked about in north Staffordshire get the opportunity that they deserve?

• 9 Oct 2024 · Higher Education: Staffordshire · Hansard source

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  I find myself somewhat conflicted, as a graduate of the wonderful Keele University but also representing its rival in the local varsity in the University of Staffordshire. My hon. Friend’s point about young people going to university and making their home in the area is absolutely right. I am a testament to that. But does he agree that one thing we now have to do collectively, as a group of MPs representing that part of the world, is ensure that those high-value, good-quality jobs are then brought to the area, so that the graduates we have can stay in north Staffordshire after they graduate and make a life and a family there?

• 9 Oct 2024 · Higher Education: Staffordshire · Hansard source

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  Based in my constituency.

• 9 Oct 2024 · Renters’ Rights Bill · Hansard source

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  The Minister is giving an excellent speech. Landlords in Stoke-on-Trent have told me that they welcome any move that drives the rogue landlords out of the system. That is because rogue landlords undercut the market and prey on the vulnerable and those locked into low-income jobs by offering relatively low-rent accommodation, safe in the knowledge that if they complain or seek any form of improvement, they are simply out, to be replaced by somebody else who is desperate. While my hon. Friend is talking about improvements to the landlord system, will he say more about how good landlords welcome the Bill?

• 9 Oct 2024 · Renters’ Rights Bill · Hansard source

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  Will the hon. Gentleman give way?

• 8 Oct 2024 · Energy Security · Hansard source

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  One of the ways in which we can increase energy security is through community-owned and co-operative energy schemes. They give greater control to local people, who get a say in where profits go, and crucially they build resilience from international energy markets. Will the Minister say a bit more about where community-owned energy will fit into the energy security plan?

• 8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source

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  My hon. Friend has stolen my thunder, as I was going to offer the Minister an invitation at the end of my speech. The New Vic is wonderful, and with a creative boundary review it may one day be in Stoke-on-Trent Central—but that is for another debate. The wonderful and creative heritage of Stoke-on-Trent has produced an Oscar winner. Rachel Shenton, who is currently gracing our screens in “All Creatures Great and Small”, has demonstrated that being from Stoke-on-Trent is not a barrier to creative success or something that should hold people back. I am grateful for the work she does in coming back to the city to talk to young people about the potential for creative careers, be that in acting or theatre. The process of learning through creativity is something we could all benefit from across the country. That is why I am glad that in my constituency I have a group called the Popcorn Learning Agency, which uses digital design and animation to create high-spec training and learning videos that go around schools throughout the country. The group is also working with some big-name organisations to create in-house opportunities. That is something thousands of people will see day in, day out, and it is all made in Stoke-on-Trent from a lovely small unit with people who are incredibly dedicated to their craft. The Minister will be wondering what more questions there are—this is the only way I could fit a Q into this alphabet soup. He will know that I will put lots of questions to him at the end. First, though, I will tell the Minister about Restoke, a civic arts organisation that has been using art and culture to engage some of our most disengaged communities. Its recent production of “The Lotus Eaters” was done in collaboration with the National Theatre, and saw people from Stoke-on-Trent come down to London and perform theatrics and creative industry work in the National Theatre. That is something people do not often associate with Stoke-on-Trent when they think about what we are and what we do. There is so much going on that one organisation—Stoke Creates, run by the wonderful Susan Clarke—is taking a lead in trying to pull it all together. It is a cultural compact that is basically sitting in the middle of the sector and thinking, “What can we do to bring organisations together?” One of the challenges we have in north Staffordshire is the splendid isolationism in which people operate. Stoke Creates is teasing out the different aspects of what we can achieve and how we can achieve it. It is making the case that if someone wants to do culture and creative industries well, there are few places better than Stoke-on-Trent. That was demonstrated recently by the exhibition Stoke on Clay, run by a gentleman called Simon, which brought together new ceramic artists for a wonderful display of creativity, making people rethink the material my city is synonymous with. It was a wonderful exhibition at the old Spode museum, bringing together the old and the new and demonstrating that what was our past and heritage is also our future. Across north Staffordshire we are blessed with some wonderful theatre companies. I want to give a nod to the work of Claybody Theatre, run by Deborah McAndrew and Conrad Nelson. Claybody Theatre has started to think about the story of who we are in Stoke-on-Trent and what makes us who we are, and then to write plays so we can tell our story better. One of our challenges has always been how we tell our story in a way that is engaging. The theatre has put together “Bright Lights Over Bentilee”, a play currently being shown at the Dipping House in Stoke-on-Trent. It talks about the bizarre array of UFO sightings that happened over one of the largest council estates in my constituency. It is a story that in any other circumstances would be unbelievable, but it has been translated into a wonderful piece of theatre, for which I am grateful. I need to mention the University of Staffordshire, because it is leading the country on e-gaming and high-quality creative design work. It now has a campus down in London, as well as the work that it is doing up in Staffordshire. It recognises that this is a growth industry and is working incredibly hard with partners, agencies and business—crucially, all this is with business —to ensure that the e-gaming industry in north Staffordshire is vibrant, buoyant and suitable for growth. A lot of the people trained by the university go on to work for VCCP, which is another organisation that ought to be name-checked. VCCP relocated from London up to Stoke-on-Trent because it knew that the quality of the graduate work it could get in Stoke-on-Trent was equal to, if not better than, anything it could get out of the London universities, but staff would also get the quality of life that comes with living in north Staffordshire. All of this comes together because we are a craft city. I am happy that we were recently awarded world craft city status to recognise that our ceramic work and our creative approach to industry is in our DNA. It is who we are and it is what we do. Importantly for our younger generation, it is also about how we translate the opportunities that exist now into real opportunity. That is why, having run through all the letters of the alphabet bar two, I will move on to a couple of questions for the Minister. First, will he visit and meet some of the organisations, so that he can see first hand the excellent work that we are doing not only in pursuit of our own economic development, but in pursuit of the Government’s own agenda to ensure that creative industries and culture are available to all? Will he consider recognising north Staffordshire as a cultural cluster—something that the last Government were not able to do, but which would give us the standing we need to demonstrate that we are here for the long run? Will the Minister speak to his colleagues at the Department for Business and Trade to ensure that any industrial strategy that comes forward to encourage growth in the UK looks seriously at creative industries? The creative industries in Stoke-on-Trent are where our growth can come from. That is where we can make a difference to all the organisations that are currently looking to take the next step to becoming vibrant, big, national groups. Will the Minister also speak to his friends in the Department for Education to ensure that we keep art and creative subjects on the curriculum at B-tech, higher education, further education and A-level? The pipeline of talent that we need to service the expectations that the Minister has will come from young people who are already in education. I will leave him with those three points. I hope he has enjoyed the little tour around my constituency, and I thank him for listening so diligently.

• 8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source

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  I thank the Minister for responding directly to my points—I do not think that ever happened during the entire time I was last in Parliament, so the novelty is not lost on me. On the curriculum, can the Minister ensure that when that conversation happens, there is emphasis on the communities that should have access to that? I know the Minister will do that, but I want it on the record. While having art on the curriculum works fine, often, in working-class communities like mine, it is not seen as being for those people or for those communities. I know the Minister is a great advocate for communities like those we represent. Can he ensure that the DFE understands that it is no good just having art on the curriculum, and that it has to be actively encouraged in communities that ordinarily would not take it up?

• 8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source

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  I beg to move, That this House has considered support for the creative industries in Stoke-on-Trent. It is a pleasure to serve under your chairmanship, Dame Caroline. I thank Members for joining me in what I hope will be a much better-tempered debate than the one you have just officiated over. Stoke-on-Trent was and is the crucible of creativity. We were at the forefront of the last industrial revolution, and we are now quietly and diligently leading our very own creative renaissance in the city and the surrounding area. The last measurement suggested that growth in our creative industries stood at about 6.3%, which is in no small part down to the determination of a number of organisations. With your indulgence, Dame Caroline, and that of Members present, I will take a short canter through the A to Z of the cultural organisations and institutions in Stoke-on-Trent that are doing so much excellent work. Let me start with Appetite, a public arts organisation that has been demonstrating to communities across north Staffordshire not only that public art is available to everybody but the joy that can be had from interaction with and involvement in art, in a way that would not normally have been available to some communities even 10 years ago. B arts is a wonderful participatory arts organisation that currently has its Bread in Common shop at the bottom of Hartshill Road in my constituency, where it has fused creativity with a burning passion for food justice. We are also home to some incredibly well-placed and innovative business organisations. Carse & Waterman, a Stoke-based animation company, is doing world-leading work from a converted bank on Stoke high street. Members will have noticed the change to some of the design work on the crockery and tableware in the Members’ Dining Room, which has all come from Duchess China 1888 in Stoke-on-Trent, where it still manufactures using high-grade bone china techniques, and does so with flair. On the ceramics front, Emma Bailey is still active in Stoke-on-Trent. She is one of the most beautiful designers, using her talent for creativity and art to keep alive the spirit and patterns of Clarice Cliff, who was of course one of the city’s best-known residents. Alongside the well-known names we have a growing group of freelancers—I will talk to the Minister about this later—who indulge in the opportunity to turn their creative ability into a viable income. We have a network of individuals who see creativity as a path for their own determination, success and fulfilment, and we need a bit of help to ensure that that can come to fruition.

• 8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source

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  The hon. Gentleman, who is my friend, is absolutely right. With the right structure, creativity and public art can go a long way to helping to reduce some of the structural problems we see in our communities, whether that be antisocial behaviour or derelict buildings. If he would ever like to join us for a tour around Stoke-on-Trent, I can show him some of the wonderful public art and particularly some of the murals on our buildings, which not only succinctly tell the story of the city but do so much to brighten up the place in a vibrant way. I had reached G in my A to Z, so I shall talk about “The Great Pottery Throw Down”, which is not only a wonderful demonstration of the heritage skills we have in Stoke-on-Trent but proof that blockbuster television can be made in Stoke-on-Trent. We are privileged that it is filmed at Gladstone Pottery Museum, which was also the set for “The Colour Room”, a wonderful Sky adaptation of the life of Clarice Cliff. That demonstrates that with the right imagination anything is possible in Stoke. That imagination is what has allowed us to take some of our heritage buildings back into use. The Spode site in the middle of Stoke town is becoming a createch hub—a place where creative industries and organisations are coming together to work together, not only to share their ideas and aspirations but to put their creative skills to use. That is producing this microcosm of energy and ideas that is having real dividends for those organisations, particularly as they now have a shared apprenticeship scheme that allows individuals from Staffordshire University to see different areas of the creative industries that could be available to them once they graduate. One of the organisations involved is i.creation. It is run by the wonderful Andy Jackson, who does so much work in terms of community news and helping organisations to tell a better story about who they are. Just down the road from Andy’s i.creation we have Junction 15, which is technically in the constituency of my hon. Friend the Member for Newcastle-under-Lyme (Adam Jogee), but we are one big, happy north Staffordshire family. One of Junction 15’s directors won an Emmy for the work they did at the 2008 Beijing Olympics. [ Interruption. ] The Minister corrects me—not for the first time—but we will hear his speech later. We are fortunate in north Staffordshire that underpinning the creative industry are two wonderful universities. Next year, Keele University is bringing in a music production, game design and digital media course, because it realises that growing a pipeline of local talent is important for growing the local creative industry. One of the companies looking for that pipeline is Lesniak Swann, an award-winning business-to-business marketing organisation. The company has asked me to point out that the creative industry is one of our best export markets because the work we do in the UK is highly desirable to organisations around the world. Lesniak Swann does wonderful B2B marketing work, which is incredibly creative, from its home in Stoke-on-Trent but for companies based in Norway and America. We need to think about where our creative industries can contribute to UK exports. All this is part of Made in Stoke, a network of entrepreneurs, philanthropists and individuals who have a connection to our city and who want to come together to make it better. One of the strands they are looking at is how individuals who have gone away from Stoke-on-Trent and done wonderful things in arts, culture and creativity can come back to the city to help to inspire the next generation of new and aspiring creatives. If people do come to Stoke, one of the best places they can visit is the New Vic Theatre, a purpose-built theatre in the round. Again, it is just over the border in the constituency of my hon. Friend the Member for Newcastle-under-Lyme, but, again, we are one big, happy north Staffordshire family. The work the theatre does is not just about award-winning stage productions that often come down to London’s west end. It also does outreach work through Borderlines, which uses creativity and culture to tackle community cohesion issues and community prejudices through art, drama and music. Both as a theatre and through outreach work, the New Vic has been able to demonstrate that, if they want to be involved, there is a role in culture and creativity even for some of the toughest communities that may not immediately have thought about it.

• 10 Sept 2024 · Social Security · Hansard source

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  The right hon. Gentleman talks about choices and pensioners. When his party chose to suspend the triple lock in 2021 and give a below-inflation increase to pensioners, costing them £500, what was his concern then? Why did he say nothing?

• 9 Sept 2024 · Medicines · Hansard source

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  On a point of order, Madam Deputy Speaker. Last Thursday, during questions to the Leader of the House on the statement of business, I asked a question about BTecs in relation to colleges. Although it is registered in the Register of Members’ Financial Interests that I am a governor of two colleges, I failed to draw the House’s attention to that fact before asking my question. The two colleges that I am a governor of are affected by the answer, so I take this opportunity to place that on the record, and offer my unreserved apology to the House accordingly.

• 9 Sept 2024 · Private School Closures · Hansard source

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  6. What information her Department holds on the number of private schools that closed in England between 11 May 2010 and 5 July 2024.

• 9 Sept 2024 · Private School Closures · Hansard source

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  St Joseph’s preparatory school, a small fee-paying independent school in Stoke-on-Trent, announced that it is closing its doors at the end of this year after a period of financial viability questions. What support will the Department offer the city council and parents in Stoke-on-Trent to ensure that those children can still access first-class education?