Chris Bryant MP: speeches 2024

Speeches

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  Both sectors are part of our industrial strategy, and we must make sure that both are able to flourish. I fully understand that there will be people in the creative industries who will be worried about what we are saying, but I want them to understand that this package comes as a whole. Ed Newton-Rex, who was formerly of Stability AI, wrote in his Substack today that he was concerned that this Government would proceed without actually checking whether a system of rights reservation worked. We will not. We will proceed only if there is a proper system of rights reservation. But there are an awful lot of very clever people who work in AI in this country. I would like somebody to set a bunch of them on working out a simple, practicable, technical solution to the question of rights reservation. Then, I think, everybody has a chance of prospering in the UK.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  I disagree. I saw the right hon. Gentleman nodding earlier when I was talking about not wanting to pull the rug from under the feet of UK AI adopters. The UK is in a very specific position. We have probably the best copyright laws of any country because of the specific way in which they developed. It is partly thanks to Hogarth, Dickens and many others over the years that we have ended up with strong copyright legislation. We also have a strong body of intellectual property in this country, which is enormously valuable, potentially, to AI operators. We stand in a very specific position. There is an argument that AI can be trained elsewhere, in another jurisdiction, but the moment it is brought into the UK, it still falls under UK legislation. The right hon. Gentleman is also right about this. I did not consult Taylor Swift, but I did ask an AI company to come up with a song in the manner of Adele. “Oh, I still feel you deep in my soul, Even though you left me out here on my own. The love we had it’s slipping through my hands, But I can’t forget, I still don’t understand. You’re gone, but your memory’s all I see, And in the silence, it’s you haunting me”— Madam Deputy Speaker. [ Laughter. ] It is sort of Adele, but it is not Adele. Does Adele know that her material has been used? Does her record label know that her lyrics have been used to create that? It is sort of in the territory, but it is not right. I think we can get this right in the UK and provide leadership to the world. That is what we should strive for.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  Well, some people have greatness thrust upon them. My hon. Friend makes an important point about data, which will become an increasing part of our economic resilience and strength in this country. That is another part of my responsibility, if I have my DSIT hat on. I very much look forward to the Data (Use and Access) Bill coming to the Commons in the new year, once it has finished in the other place, because it is an opportunity for us to create smart data, which will release a great deal more economic potential and productivity in the UK.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  My hon. Friend makes a very good point about “Gavin and Stacey”, and I look forward to the Christmas special. I would merely point out that, since H from Steps is from the Rhondda, Steps has a lot more to offer.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  I have been trying—perhaps I have not yet succeeded—to make it absolutely clear that I, the Secretaries of State for Culture, Media and Sport and for Science, Innovation and Technology and the Under-Secretary of State for Science, Innovation and Technology, my hon. Friend the Member for Enfield North (Feryal Clark), who is sitting next to me, would not bring forward for legislation something that undermined the copyright rights of rights holders in the creative industries. We simply would not do so. What we are trying to do is push both sides to a place where we can create a new system—it will probably be new to the United Kingdom, and might be one of our gifts to the world—of rights reservation that is simple, practical and practicable. This is not a Second Reading debate; it is simply a statement on a consultation. I urge all who have concerns to voice them in that consultation.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  My hon. Friend is 100% right. Squaring the circle is what we are in the business of doing, and sometimes that is not an easy thing for Government, because not all the levers lie with Government and with legislation. To be absolutely clear, though, we know we need to provide legal certainty in this space. That almost certainly means that we will want to introduce legislation. We will not introduce legislation until such time as all the different aspects that I have already referred to—namely, transparency on inputs and outputs, control of rights reservation for rights holders, and the text and data mining exemption for commercial work—in that sphere hang together, as all of them are contingent on one another. I think that was the last question, Madam Deputy Speaker, so have yourself a very merry Christmas.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  I welcome the Chair of the Select Committee to her place. She is 100% right that we cannot have the text and data mining exemption for commercial purposes unless there is a proper rights reservation system in place. I do not know whether she has looked at rights reservation, but it is terribly complicated. People can use the robots exclusion protocol, but it is rather out of date and is avoided by many players in the market. It is very complicated and applies only to a person’s own website, whereas their creative input might not be on their personal website—it might be on somebody else’s. I tried to create a Bridget Riley using an AI bot over the weekend. The bot had obviously trained itself on some Bridget Riley works, but it was a shockingly bad Bridget Riley—it was nowhere near. I wanted to ask whether it had used Bridget Riley’s work to learn how to make a Bridget Riley-like picture and, if so, whether Bridget Riley received any compensation. Bridget Riley could use another website, haveibeentrained.com, if she wanted, but it is phenomenally complicated. That is precisely what must change. The AI companies must come up with a technical solution, whether they produce music, text or whatever. Without that, we will not be able to progress.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  And now for something completely different! With permission, Madam Deputy Speaker, I will make a statement regarding our launch of a public consultation on copyright and artificial intelligence. The United Kingdom has a proud tradition of creativity and technical innovation. From our film and television sectors to video games, publishing, music, design and fashion, our creative industries are a cornerstone of our economy and our creative identity. They bring £125 billion to the economy and employ over 2.3 million people. James Bond, the Beatles, Vivienne Westwood, Adele, “Vera”, Bridget Riley, “Tomb Raider”, the Sugababes, “Football Manager”, Paddington and Paul Smith are all part of an immensely valuable British industry. The creative industries are central to our economic future, and we are determined to help them flourish. The same is true of artificial intelligence—both as an enabler of other industries, including the creative industries, and as a sector in its own right. The Government are determined to capitalise on the UK’s position of strength in the global AI sector and will soon publish the AI opportunities action plan, which will set out an ambitious road map to unlock AI’s transformative potential across our economy and public services. Both the creative industries and AI sectors are at the heart of our industrial strategy, and they are also increasingly interlinked. AI is already being used across the creative industries, from music and film production to publishing, architecture and design; it has transformed post-production, for instance. As of September 2024, more than 38% of creative industries businesses said that they have used AI technologies, with nearly 50% using AI to improve their business operations. Strong copyright laws have been the bedrock of the creative industries, but as things stand, the application of UK copyright law to the training of AI models is fiercely disputed. Rights holders, including musicians, record labels, artists and news publishers, are finding it difficult to control the use of their works to train AI models, and they want and need a greater ability to manage such activity and to be paid for it. Likewise, AI developers, including UK-based start-ups, are finding it difficult to navigate copyright law and complain that the legal uncertainty means that they are unable to train leading models in the UK. The status quo cannot continue. It risks limiting investment, innovation and growth in the creative industries, the AI sector and the wider economy. Neither side can afford to wait for expensive litigation—either here or in the US—to clarify the law, not least because courts in different jurisdictions may come to different conclusions and individual cases may not provide clarity across the sector. Nor can we simply rely on voluntary co-operation. That is why we think the Government must take proactive and thoughtful action that works for all parties. The consultation published yesterday sets out clearly that the Government’s objectives on this issue are threefold: to enhance rights holders’ control of their material and their ability to be paid for its use, to support wide access to high-quality material to drive the development of leading AI models in the UK, and to secure greater transparency from AI developers in order to build trust with creators, creative industries and consumers. In short, we want to provide legal certainty for all and to secure enhanced licensing of content. There are three key aspects to our consultation. The first is increased transparency from AI developers. That includes the content that they have used in training their large language models, how they acquire it, and any content generated by their models. In other words, consumers should know whether a book or song has been generated by a person or by artificial intelligence, and whose content helped generate it in the first place. The second aspect is a new system of rights reservation, whereby rights holders can withhold their content from being used unless and until it has been licensed. The third is an exception to copyright law for text and data mining where rights holders have licensed their content or otherwise chosen not to reserve their rights. That would improve access to content by AI developers, while allowing rights holders to control how their content is used for AI training. Those measures are contingent upon each other. Progressed together, we believe this package of measures could enhance the ability of rights holders to protect their material and seek payment for its use through increased licensing, while also enabling AI developers to train leading models in the UK in full compliance with UK law. It will, however, only work if there is a proper system of rights reservation in place. I urge everyone to read and respond to the consultation document and to examine the safeguards we are proposing for rights holders. I would especially urge both AI developers and rights holders to work with us to identify a simple, practical, proportionate and effective technical system of rights reservation, without which the whole package will not work. We are conscious that the UK does not operate in a hermetically sealed bubble, and this provides its own challenges. If we were to adopt a too tight regime based on proactive explicit permission, the danger is that international developers would continue to train their models using UK content accessed overseas but may not be able to deploy them in the UK. As AI becomes increasingly powerful and widely adopted globally, this could significantly disadvantage sectors across our economy, including the creative industries, and sweep the rug from underneath British AI developers. That is why, as well taking this approach in the UK, we are committed to international engagement and recognise the importance of international alignment. This consultation is a joint effort between the Department for Science, Innovation and Technology, the Department for Culture, Media and Sport and the Intellectual Property Office, and between the Under-Secretary of State for Science, Innovation and Technology, my wonderful hon. Friend the Member for Enfield North (Feryal Clark), who has responsibility for AI, and me, with responsibility for the creative industries. This is not an academic exercise. The consultation is absolutely clear that we will not implement these changes unless and until we are confident that we have a practical, practicable and effective plan that meets our objectives of enhancing rights holder control, providing legal certainty around AI firms’ access to content, and providing transparency for rights holders and AI developers of all sizes. My fellow Minister and I will be engaging directly with a wide range of people in an attempt to find practical and technical solutions to this question. Many people have called this an existential question for our creative industries. They are right. We therefore see this consultation as a pivotal opportunity to ensure that sustained growth and innovation for the UK’s AI sector continues to benefit creators, businesses and consumers alike while preserving the values and principles that make our creative industries so unique. We believe that there is a potential win-win solution, and that the UK, with its strong traditions of copyright and technological innovation, is in a unique place to deliver it. I commend this statement to the House.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  I think my hon. Friend, who is on the Culture, Media and Sport Committee, took advantage of the change in the Chair to get away with asking a question that has absolutely nothing to do with this consultation. On live ticketing, I am absolutely certain that the Government will have something to say soon—the word “soon” means precisely what I choose it to mean. On publicity rights, my hon. Friend is quite right that that is a significant question that we will ask during the consultation. There is an argument for bringing in legislation in the UK. California, as I said, has a digital replicas law and Tennessee has the ELVIS Act, which stands for eliminating limits on the voice’s intrinsic sovereignty. I think that was an attempt to cram that into the word “Elvis”. She is right that the US Copyright Office is arguing for a federal digital replica law, and we might want to go down that route as well. I urge my hon. Friend and, perhaps, the Select Committee to consider that matter. They might like to provide some advice in response to the consultation as well.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  I completely agree with the hon. Lady. Of course those companies should pay for the content that they are using. I think she is referring to LAION-5B, which is the dataset that was produced in Germany. Interestingly, a court in Hamburg has decided that this is already covered by the exemption for data and text mining for non-commercial purposes for research. Subsequently, though, this has been used not just for research, but for other purposes, which is precisely the kind of area where there is a legal dispute. That is why we are trying to provide legal certainty in the UK as to what can and cannot be used, when it can be used, and how we can make sure that people’s creative rights are protected.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  Thank you very much, Madam Deputy Speaker. Fortunately, I asked ChatGPT what the shadow Minister would ask me and it was pretty much right—although some of the questions from ChatGPT were rather more to the point. I will deal with the serious points he made. First, the shadow Minister raised the point about mimicking artists. That is one of the things we are consulting on. There is a legitimate question about whether we should take further action in this country. Tennessee has acted: it has got its ELVIS Act—the Ensuring Likeness Voice and Image Security Act. California and a couple of other states in the United States of America have acted on this already, and whether we should move in that direction is a perfectly legitimate question. Likewise, the shadow Minister referred to computer-generated works. He will probably know that under section 9(3) of the Copyright, Designs and Patents Act 1988 there is provision that seems to guarantee the right for computer-generated art to be copyright-protected. That is not the case in most other countries, and it could be argued that developments in recent copyright law on the nature of originality would suggest that, unless a human being is directly involved in the creation of the work, there should not be copyright protection. We have suggested a direction of travel to get rid of section 9(3) of the Act. The shadow Minister said that we have delayed bringing this forward, but I merely point out that for quite a long time the previous Government said that they would bring forward a voluntary system, bringing the two sides together. Nothing whatsoever came from that, so I am afraid that feels a bit of a cheat. What I want to contest is the idea that we have sided with one or the other. There is a legitimate problem, which is that AI companies and the creative industries are at loggerheads in the courts in several different jurisdictions on several different points which are moot at the moment. We do not think that simply standing by the present situation will suffice because the danger is that in two or three years’ time all UK content will have been scraped by one or other AI developing company somewhere else in the world if there is no legal clarity in the UK. I would like to be able to bring all that home so that AI operators can work in this country with security under the law, using UK copyright that has been licensed and paid for, because that is another potential revenue stream for creators in this country. The shadow Minister asks about extending the consultation. I am not going to extend the consultation. We want to crack on with this piece of work. Only two minutes earlier in his speech he said that we were delaying bringing it forward and then he said we should delay further. It is time that we seize hold of this. I certainly will meet with a large number of people. My fellow Minister my hon. Friend the Member for Enfield North and I have met many different organisations and we will be providing a list because it will be in our transparency returns published soon, and the number must run to dozens if not hundreds. Of course, there are differing views, but I make it absolutely clear that the three measures we are talking about—the transparency on inputs and outputs that AI developers will have to provide, the provisions for creators to reserve their rights, and the exemption for data mining for commercial purposes—are contingent upon each other. We will not move forward with such a package unless there is a technical solution to the question of how people can reserve their rights. At the weekend, I looked online to see what it would be like to try to reserve rights, by pretending to be various musicians and artists. At present, it is phenomenally difficult and complicated—other Members may have questions about this—and that must change. There must be a proper rights reservation system that is easy to use, practicable and enables creators, either individually or collectively, to assert and maintain control of their rights.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  Madam Deputy Speaker, I will look at you to make sure that I do not go over time, but I would point out that “Wicked” is far too long a movie. I make it clear that I do not think there is a complete separation between AI and the creative industries. AI is a creative industry in many regards. There is an important collaboration between the two, and even Sir Paul McCartney has said that he has used AI to help him write some of his most recent work. The hon. Lady says this was all settled under the previous Government, but nothing in this territory was settled under the previous Government. It was simply left hanging in the air, which is why we are trying to take action. She asks whether there are any successful examples of opt-outs. No, there are not. Precisely the point I am trying to make is that, at the moment, it is remarkably difficult for individuals and organisations—whether a record label, an individual artist or photographer, or whoever—to protect their rights. That is what needs to change. There has been some licensing. Some newspapers have licensed content with OpenAI. Sony Music has written to all the different AI operators to say that all the work that it protects is copyrighted and not to be used. But I am not sure that such piecemeal processes are enough to build the control we want for rights holders, while enabling AI to develop fruitfully in the UK.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  I think that China is the problem in lots of different cases; I am not sure that it is in this case. It is more difficult for a camel to pass through the eye of a needle than for me to get a practicable solution, but that is what we are determined to achieve. When the hon. Gentleman referred to Anne, I thought for one moment that she was his AI assistant. The truth is that we will all have AI assistants very soon. Most of the time, when we google anything these days, the first result comes up because of AI. It is part of our lives, and we cannot pretend that away. What I would like is for UK companies and start-ups to develop AI in a way that accepts that the content that many of them are desperate to use needs to be paid for.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  Well, no. This is a genuinely thorny question that needs a technical solution. The Government are not going to write the technical solution. That has to come from the two sides working out together how we can get to a situation that benefits everybody. The hon. Gentleman is absolutely right about the newspapers. Some newspapers have already licensed material, including Associated Newspapers, The Washington Post and several others. It would be interesting to see whether the income that those companies are receiving is flowing through to the journalists who produce the copyright material in the first place, but perhaps that is part of the rights reservation system that we need to look at as well.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  Again, this is another false dichotomy being presented to us between opt in and opt out. That is why we have landed on the term “rights reservation”. A lot of the material out there is not copyright. That is either because it is long out of copyright—the law for most works lasts for 70 years after the death of the author or the first publication of the work—or because some artists have categorically decided not to retain their copyright. Tom Lehrer, the author of many satirical songs from the 1980s and 1990s, such as “The Vatican Rag” and “The Masochism Tango”, has deliberately surrendered his copyright. This is a world where we want to make sure that the vast majority of rights holders, whether they be the record label, the individual photographer, the artist or whatever, have the right of control over their copyright—over whether it is used and how it is used—and if it is going to be used, they should be remunerated. I urge my hon. Friend, who I know has a great interest in this subject in his role on the Select Committee, to make sure that that false dichotomy between opt in and opt out is abandoned. We talk about rights reservation, because then, opt out might look remarkably like opt in.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  No. 1: I will have endless meetings with an awful lot of people from the creative industries to ensure that all their concerns are recognised. I pay tribute to UK Music, which has already been in touch several times in the past 24 hours to express its views on the subject. Quite interestingly, copyright works differently in different media—in music, publishing, newspapers and so on—and that is one of the things we need to take clear hold of when we take anything further forward. I also had a successful meeting this afternoon with people talking about introducing a voluntary levy on tickets and arena gigs to ensure that we have money to support grassroots music in this country, and I very much hope that we will be able to make a significant announcement on that in the new year.

• 18 Dec 2024 · Copyright and Artificial Intelligence · Hansard source

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  I don’t think I am allowed to sing at the Dispatch Box.

• 10 Dec 2024 · Telegraph Poles: Birmingham · Hansard source

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  I do not know whether that is right or not, so I will reserve judgment, if the hon. Gentleman does not mind. It is certainly true that there may be some consolidation in the market in the next 18 months to two years. Some people have been expecting that before now. Whether that would apply to Brsk or not, I have not the faintest idea, but the point remains that, if these organisations are to have a successful business model, in the end they do need to be able to sell take-up. One thing that is missing from this whole conversation is an explanation to the public of why on earth anybody might need fibre. Notwithstanding the areas in the constituency of my hon. Friend the Member for Birmingham Edgbaston where they do not even have 10 megabits per second, which I hope we might be able to do something about in the near future, lots of people say, “Well, I’ve already got 100 megabits per second, so why on earth would I need a gigabit per second? Incidentally, I don’t know what a megabit per second is anyway.” In that world, we have to do a great deal more education about what the future is going to look like. It is certainly true that all the apps and the IT that the country and the Government are increasingly relying on are increasingly hungry for bandwidth; there is no way of avoiding that. My hon. Friend is absolutely right in saying that we need to develop this infrastructure. This Government have been very clear, and the previous Government were relatively clear, that we wanted this infrastructure to progress in a way that was sensitive to local communities. That meant that we had to have proper consultation and to be careful about the siting of poles. We wanted to encourage co-operation and collaboration between different players in the market, so that roads were not dug up two years in a row or three months after the last company dug it up, for example. All that was laid out in the original guidance in 2016. Incidentally, that guidance was provided not by the Government but by the industry. This is an important point: the industry is currently looking at revising that code. It is very close to a revised version. I do not think that that is quite ready yet, but I anticipate that it might come in the new year. The simple point that I have made repeatedly to all the operators in this field is that if they want people to take up their service and buy their product, they have to take people with them. At our meeting with Brsk last week, Brsk made it clear that if all the members of a community, especially one cut off from everywhere else and not on the way to another place, said, “Look, we don’t want this,” it would work out that there was no point putting in poles, digging up the road or whatever, because there would not be any take-up of its services from that community in future. It would simply say, “All right, fine. We’re not going there.” As I say, the difficulty lies where one road leads—as is often the case—to another, and the people on the next bit of road still want the roll-out even if the people on the first bit do not.

• 10 Dec 2024 · Telegraph Poles: Birmingham · Hansard source

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  Let me be 100% clear: where there is existing infrastructure—ducts under the road or whatever —that can be used. In fact, it should be used and different companies should collaborate to make that happen. I am 100% clear that existing infrastructure should and must be used. There are a few caveats, as the companies themselves would advance. Sometimes people think there is a duct when there is only a cable that has been laid straight into the mud underneath. Alternatively, the pavement might now be so full of different things, including gas connections, water connections, electricity connections and so on, that there is no space for anything else to be ducted through, or the duct sleeve is so full that nothing else can be put in and another sleeve cannot be put in either. I know that is quite a long set of caveats, but those are the realities of the situation. The commercial reality is that inserting a new duct—that is, digging up the road and putting everything underground —might be very attractive to everybody in the community, but it is nine or 10 times more expensive than putting things on poles. If we want commercial operators to roll things out, there are certain situations where there are going to be poles. I cannot hide that from anybody; it is a simple reality. As I was saying earlier, the cabinet siting and pole siting code of practice was issued in November 2016. It sets out guidance on best practice relating to deployment, encouraging operators to site apparatus responsibly and to engage proactively with local authorities and the local community. However, some of the things that I have seen being put in—including by Brsk; not often by many other operators—are clearly in the middle of a pathway or driveway, or in other places that are completely inappropriate. As I understood it in our meeting last week, and indeed in the exchange of letters after that meeting, Brsk committed to change its policy in such situations. At that meeting, Brsk also undertook to engage in far more proper consultation with people. It will not just put up a sign saying, “We are about to put a pole here,” and then put a pole up the next day; it will engage in proper consultation, which means going door to door and explaining things to people. In many areas, Brsk will bring the local community together for a public meeting. One Member who came to that meeting with Brsk last week said that there had been such a public meeting in their constituency. It had been very effective and people understood the quid pro quo, which was that if there was no means of doing something by ducting, there would have to be poles; if people did not want poles, they would not get the roll-out of fibre; and other operators were not operating in that field. People said, “Okay, well in that set of circumstances, we still want this roll-out to happen, so we will live with poles.” I think most people can live with that model, but even when that is agreed, we still have to make sure that we do not put poles in the middle of someone’s driveway or where they will obstruct people and not meet the requirements of the disability measures in the Equality Act 2010. As I said earlier, I know the industry has been working together closely. It is not easy or simple to get commercial operators that have their own investors and shareholders in competition with one another to sit down to agree a new guide and a new code of practice, so I pay tribute to everybody at the Independent Networks Co-operative Association for engaging in that way. The vast majority of the altnet companies engaged in that activity are absolutely determined. They want to take the community with them because they want to be able to sell their product, and because they are responsible players in the market. I pay tribute to them where they have managed to do that. As Brsk knows, we will hold its feet to the fire on all the commitments that it has made in private meetings with me, in the meetings with MPs that we held last week, and in writing. Before it starts rolling out in a particular area, it needs to explore far more thoroughly what ducting might be available, which might be through BT Openreach or Virgin. It will consult properly in a local area where people lobby and argue that the siting of a pole is particularly inappropriate. It will look at moving it in so far as it possibly can.

• 10 Dec 2024 · Telegraph Poles: Birmingham · Hansard source

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  That is the first time that anybody has come to me and said that a local community would fund the ducting, which is an expensive business. All sorts of competition issues might then arise. I am hesitant to advance a yes or a no to that, because one would have to explore whether that was in effect a state subsidy, how that would be provided and what kind of contract there would be for maintenance of the duct—I can foresee all sorts of problems. I am not trying to be a part of the blob, but simply to be as clear as I can about what is possible and what is not. The hon. Member makes an important point about the desirability of poles in areas of natural beauty and whether we can or cannot have poles. I have seen many different instances—I have tried to go through as many of them as possible as a Minister—such as where people thought the issue was about a duct that somebody was refusing to use, and it turns out it is not a duct at all but a cable laid in sand, so I am quite hesitant about holding forth on where we can or absolutely cannot have a pole. In case anybody thinks I am being nimbyish, I have poles in my street, and I am about to have another set of poles in my street. I am relatively chilled about that, but I fully understand the issue where someone has never had a pole in their street. Part of the area’s beauty is that it looks remarkably like it did in the 18th or 19th century, and people want to preserve it that way. The downside is that commercially they will probably not get gigabit-capable and fibre-based broadband, which might be more of a problem for the community than having the poles. I think I have exhausted the subject, unless anybody else wants to have a go at me. I pay tribute to my hon. Friend the Member for Birmingham Edgbaston. I am sure that we will return to the issue as many times as necessary if Brsk refuses to fulfil its promises. I believe that when we sat down with the senior management, they were sincere and honest in the commitment that they were making, and that they did not have as full an understanding of people’s feelings in some communities as they needed to have. As I promised my favourite MP—I cannot say that too often—I will hold the company’s feet to the fire throughout. Question put and agreed to.

• 10 Dec 2024 · Telegraph Poles: Birmingham · Hansard source

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  It is a great delight to sit under your chairpersonship, Ms Vaz. I warmly congratulate my hon. Friend the Member for Birmingham Edgbaston (Preet Kaur Gill) on securing this debate. I think she knows that she is one of my favourite MPs; we have canvassed together often in variety of places, so it is a great delight to hear from her. My hon. Friend speaks of being an active constituency MP, and that is precisely what she has evidenced. She is not alone on this issue. The list of MPs who want to talk to me about ducts and poles is quite long, because a lot of people are concerned. They fully understand, as she has laid out, that we want to roll out better infrastructure. If we are going to have the digital economy that we want for the future and if we are to compete with other countries around the world, we certainly have to get digital infrastructure rolled out. Obviously, the Government are not going to pay for all of that—that would be a very big ticket item—so we want as much of this as possible to happen on a commercial basis, and I will refer in a moment to the comments of the hon. Member for Wyre Forest (Mark Garnier) about the business model that people may be adopting. We also do not want to have a single operator delivering for the whole country, which is why it is important to have a degree of competition. When I was in opposition, I was very opposed to the idea of monopoly in provision through Openreach or, for that matter, any other player simply because monopoly does not tend to be good for consumers. It tends also to make an incumbent lazy, and it can lead to anti-competitive practices. For all those reasons, we have ended up with the system that we have, and we want to roll out gigabit-capable broadband to as much of the country as possible. The Government will intervene in the areas where that will not happen commercially, but I say to the hon. Member for Wyre Forest and my hon. Friend the Member for Birmingham Edgbaston that we have to be a bit careful about saying, “It’s disgraceful that these people are making money”, because if they did not make money, they would not be rolling it out on a commercial basis and then we might have to intervene a great deal more in the market. But there is a countervailing argument: if operators behave in a way that lacks compassion or sensitivity to the local situation, it is extremely unlikely that anybody in that local community is going to buy their products, so it could destroy their commercial agendas and business strategies if they are so high-handed in their approaches to local communities when it comes to the siting of poles and so on.

• 28 Nov 2024 · Tourism: Coastal Towns · Hansard source

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  The irony is, we have already had two debates on these issues in the last fortnight—thanks to you, Mr Speaker. First, I welcome the hon. Member to his place and his new responsibilities. I look forward to working with him. The truth of the matter is that the tourism industry has really struggled over the last few years, partly because of Brexit and partly because of covid. Under the last few years of the Conservative Government, it did not get back to its pre-covid level of 41 million visitors to the UK—it is now at 38 million. As I said, I want us to get to 50 million by 2030. The only way we are going to do that is if we significantly improve the offer at every stage of the experience of visitors coming to the United Kingdom. Yes, there are undoubtedly challenges for the hospitality industry—I said this in a speech yesterday afternoon—but the thing that really worries me is that historically we in this country have seen a job in the industry as something that someone has to do when they have not got another job. I want to change that so that it is a career to be proud of; something respectable that someone might do for their whole life.

• 28 Nov 2024 · Tourism: Coastal Towns · Hansard source

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  My hon. Friend challenges me a bit. The Rhondda has the best mining museum in the UK, but I am prepared to concede that in England he might be right. But there is an important point: our mining heritage is part of understanding the country that we have been, and the country that we can be in future. I am very happy to meet my hon. Friend. Arts Council England has a specific way of giving a national name to museums, and that is one thing that he might want to apply to it for.

• 28 Nov 2024 · Tourism: Coastal Towns · Hansard source

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  Tourism is vital to our coastal towns, and if we are to reach our target of 50 million international visitors to the UK by 2030, we will need to do far better at improving tourism numbers in our coastal towns.

• 28 Nov 2024 · Tourism: Coastal Towns · Hansard source

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  It would be good, would it not, to have an NHS that works in this country. It would be good to have an economy that works, trains that run on time, and a country that functions so that when tourists come here they have a good experience, rather than sitting on a platform waiting for a train that never turns up on time. I am determined to ensure that we get to 50 million visitors to the United Kingdom. Last year, we had just 38 million visitors. If we are to secure that increase we must have a country that welcomes tourists to every part of the country, not just London and the south-east.