Chris Bryant MP: speeches

Speeches

• 14 May 2025 · Digital Inclusion · Hansard source

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  I would argue that her constituents have a right not only to good broadband—if the hon. Lady wants to come to one of my Building Digital UK drop-in sessions she would be very welcome; we can go through street by street if necessary—but to mobile connectivity. I bet there are people in her constituency, as there are in every constituency in the land, who see on the Ofcom checker that they have a perfect signal and know that they do not. That is one thing that I am changing with the deal I have done with Ofcom.

• 14 May 2025 · Digital Inclusion · Hansard source

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  There are so many parts of delivering our public services where we can improve productivity if we manage to do so on a digital basis. I am conscious that, for example, a Doncaster hospital still employs 42 people just to carry around physical medical records. That is clearly nonsense and we need to change it. My hon Friend is absolutely right: if we go to a digital future we must be able to take everyone with us. That must mean that non-digital options should be available to those who are not able to take up digital options.

• 14 May 2025 · Digital Inclusion · Hansard source

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  My hon. Friend is absolutely right: in a digital world, we cannot have some people engaged and who have the connectivity they need while others do not, because that simply will not drive forward economic growth in this country. She makes a very fair point, and yes I can give that guarantee.

• 14 May 2025 · Digital Inclusion · Hansard source

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  It is important that we have the right data on which places are missing out. That is why, as I have said before, I am desperate to ensure that, if people check Ofcom’s online announcements on coverage in their area, it matches their lived experience. I can announce that Ofcom will be radically changing its online coverage network system. I have placed a letter in the Library today between myself and Ofcom which lays out when we will do that in June.

• 7 May 2025 · United States Film Tariff · Hansard source

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  First, may I, on a co-operative note, say that one reason we have a very strong film and high-end television sector in the UK is the joint policy, adopted across several years by both Conservative and Labour Administrations, to ensure we have very competitive tax credits. I pay tribute to the work done by the previous Government, which we were able to enhance when we brought in two new tariffs—I mean two new tax credits—in the Budget just before Christmas. No, we are not in favour of bringing in tariffs. I think I am right in saying that in 1947 the Labour Government did bring in tariffs on US films, because we thought too many US films were being shown in British cinemas. That strategy did not go very well: the Americans simply banned the export of US films and we ended up watching “Ben Hur” repeatedly in every cinema, as well as a film called “Hellzapoppin’” which I do not think anybody has watched since. However, the successful bit of what we did in 1947 and 1948 was that we invested in the British film production system, which led to films such as “Hamlet” and “Kind Hearts and Coronets”. That is the pattern we still want to adopt. Let me be absolutely clear: we believe that there are mutual benefits to both of us if we continue on the path we have selected. I am not sure precisely what is intended: I do not know what a tariff on a service would look like and I do not know whether the intention is for it to be on movie theatres. The danger is that the US already has two major problems with its film industry: one is distribution costs, so if the US went down that route, it could lead to heavy problems for the industry; and the other is the very high cost of making movies in the US. Most films these days are an international collaboration of some kind, and we want to maintain that. Even the British production of “Paddington”—I am looking at the hon. Member for Cheltenham (Max Wilkinson) only because I suspect he is about to mention it; and he has just given me a Paddington hard stare—was made by StudioCanal, which is, of course, part of Canal+. It had Spanish actors as well as British actors. This is just a fact of modern films: they are multinational and that is one of their strengths. Incidentally, I do not think that Paddington ever went to Peru—I do not think they filmed any of it in Peru. I am also told by my Peruvian friends that there aren’t any bears in Peru.

• 7 May 2025 · United States Film Tariff · Hansard source

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  My hon. Friend makes an extremely good point. I will, if I might, just leap off the word cinema to make the point that film is not just about production, but about finding audiences. One of my concerns in the UK is about how we make sure that cinemas—or movie theatres as they are known in the US—can flourish as well. They can be a really important part of dignity in a town. A town that has a cinema is likely to be a place that has respect for itself, and I would like to ensure that that continues into the future.

• 7 May 2025 · United States Film Tariff · Hansard source

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  Interestingly, I was at the Bad Wolf studios in Cardiff last week, and one thing Jane Tranter raised with me was how important the security of knowing that they have a number of projects in their studios has been to taking on apprentices in the company. They have been making not just “Doctor Who” but “His Dark Materials”, and “Industry” is being filmed there at the moment. There are a whole series of different projects, and that enables the studios to take people on not just on a daily basis. We need to change the apprenticeship levy in the UK so that it works better for the film industry and so that the industry can make long-term commitments to people’s future careers.

• 7 May 2025 · United States Film Tariff · Hansard source

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  My hon. Friend makes a very good point. I am delighted that the theme park will happen; it will be transformational for the British tourism industry, apart from anything else, and it will be the largest theme park across the whole of Europe. I am very grateful to my colleagues in the Treasury, who certainly delivered when it was necessary in relation to that. I emphasise how important not just our film industry, but our high-end television—and, for that matter, the very existence of the BBC and stuff produced by ITV and many others—is as part of our soft power, although I think Paddington probably counts as hard power.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I am very confused about who is and is not a Minister these days. I accept the point: it is clearly an issue. I remember that when we were in opposition, I was regularly knocking on the door of the now shadow Secretary of State, the right hon. Member for Daventry (Stuart Andrew), trying to get him to do something to persuade the Treasury to do something about business rates. I am fully on board, and I understand the problem. I look forward to the right hon. Member for Hertsmere (Sir Oliver Dowden) assisting me in more endeavours in the future. Hugh Bonneville told me that he was slightly upset when he signed up to “Paddington in Peru”, because he thought that he would be filming in Peru, but he only got as far as Borehamwood.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I have already made the point that we think there is a win-win situation. A strong US movie industry will benefit a strong UK movie industry. I believe in fair trade and free trade. In fact, over recent years, it has been worrying that more and more countries have wanted to put up protectionist measures around a whole series of industries. It has tended not to happen in services, and to be more about goods, which is one of the other issues. The hon. Member is right about Scotland. I am very keen on working with all the devolved Administrations to make sure that we remain the best place in which to make films and high-end television. I do not know whether anybody has watched “Havoc”— [Interruption.] Sorry, I was not referring to the Conservative party. Returning to my point, “Havoc” was all filmed in Wales, but it looks as if it is an American dystopian city.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I thought the credits were already rolling, and then up comes the hon. Gentleman. It may be just that I am an optimistic person by nature, but I feel very optimistic about where all these negotiations will end up. I am hopeful that we will end up with some kind of deal. I also passionately believe that wherever that deal ends up, the UK film industry will succeed, because we have always been a great nation at telling stories that people want to watch all around the world. We have some of the greatest actors. We may be a small nation, but we manage to dominate on screens all around the world because we are just talented, and everybody will still want to keep on buying that talent, whatever the deal may be.

• 7 May 2025 · United States Film Tariff · Hansard source

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  That is an extremely well-made point, and I would add to it something I said when I appeared before the Select Committee—from whom I suppose we might hear in a moment—which is that I am very keen on having a mixed economy in the British film industry. Sometimes we will be making films for other markets; sometimes we will be making films that tell predominantly British stories about the way we are in this country and selling them around the world, but where the intellectual property remains with British production companies. That is the mix that we need to achieve. The hon. Member for Cheltenham (Max Wilkinson) referred to our relationship with the US. I should also say that the Secretary of State was in India last week; both she and I want to ensure that we also have a much stronger relationship with India, which is one of the fastest growing economies in the world. We think we can do a great deal more in that film production space as well.

• 7 May 2025 · United States Film Tariff · Hansard source

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  The right hon. Gentleman makes a good point. I have already had discussions on other matters relating to the creative industries with Members of the Executive in Northern Ireland, and I think I have another call next week, so I will of course make sure they are consulted. He makes a very good point about tourism. An awful lot of tourists who come to the UK want to see the places where some of their favourite movies and television series were made. That is one of the things that VisitBritain is capitalising on at the moment with its “Starring GREAT Britain” campaign.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I hope the hon. Lady accepts that there are areas where I have taken very deliberate action on the back of recommendations from her Committee, not least in relation to a levy on gig and arena tickets to fund support for small music venues—but I take her point. I was not aware that we had asked for an extension. We will get on with providing a response to her as fast as possible. It was an excellent report; I have read it. It contains lots of good things that I want to take forward, but we probably will not be able to do everything in it. It is really important that we focus on skills in the UK screen industry; that has been raised repeatedly with me. I want every kid in the country to have a chance to work in the creative industries, including in film and high-end television. Many would not even think that that was a possibility, so we need to transform the whole pathway into those industry skills; I know that that is one of the things that the hon. Lady’s Committee has raised.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I have always said that I support film tax credits. Labour first introduced them under Gordon Brown. They were continued by the Conservative Government, and then we introduced two new ones. Incidentally, I think that the independent £15 million movie tax credit will make a significant difference to the UK, particularly at this point. I note that some documents produced around the semi-announcement in the United States of America have praised the way that we have done things in the UK, and other parts of the world want to mirror it. I will take praise wherever I can get it.

• 7 May 2025 · United States Film Tariff · Hansard source

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  We have already invested significant amounts of money in the skills sector, and more came as a result of the Budget. My hon. Friend is quite right that his patch is a go-to area for film production. One reason that US companies—and, for that matter, companies from many places around the world—come to the UK to make films is for our skills; we have some of the best cinematographers, technical experts and designers, as well as the acting talent, which means that it is possible to make a very convincing film in the UK more effectively and cheaply than in many other places. We are determined to ensure that the UK remains the best place in the world to make movies.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I find it difficult to believe that there has not ever been a film made in Devon, but if that is the case, one of my major aims must be to make sure that in the next few years a film is made in Devon. Perhaps we will be able to get the hon. Member a bit part. I will, if I may, just refer back to Cheltenham. One of the films made in Cheltenham many, many years ago was “If”, which is wonderful and was directed by Lindsay Anderson. The word “if” is a very important one at the moment, because we are talking about if these tariffs were to be imposed.

• 7 May 2025 · United States Film Tariff · Hansard source

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  The hon. Gentleman is absolutely right. We want to maintain the UK as the premier destination for international investment from not just the United States of America, but India, which I have already referenced, and Nigeria; I would like to see a lot more co-production between the UK and Nigeria. It is worth bearing in mind that 51% of our movie exports go to the European Union, so this is a genuinely open market, and my belief is that free trade is better than tariffs.

• 7 May 2025 · United States Film Tariff · Hansard source

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  The hon. Lady makes a good point, which has been raised with me by several other Members. We made special provision in the Budget to ensure that the business rates for studios are protected until 2034, and I think that is a good measure. I know that some of the very large studios are finding it more difficult, and I am happy to continue looking at the issue. Let me read some statistics that may be helpful. According to a report published in January by the Motion Picture Association of the United States of America, in 2023 the US earned $22.6 billion in film and television exports, and its services trade surplus was $15.3 billion, or 6% of the total US trade surplus in services. It is mutually beneficial for the US and the UK to remain with the system we have, without tariffs.

• 7 May 2025 · United States Film Tariff · Hansard source

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  That is a very fair point; I am happy to do that.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I know Hackney very well; as my hon. Friend knows, I used to be a councillor there. It is not just London that is a phenomenal place to make a movie, but the whole United Kingdom. We have some of the best scenery and some of the best buildings. It is not only Bath, which gets used endlessly in lots of films—when I was there a couple of weeks ago, I heard about a long list of them. My hon. Friend is also right about television. What is the difference between making “Bridgerton” and making a movie? In fact, the pattern is very similar; international collaboration is important because it delivers international audiences, and we want to maintain that.

• 7 May 2025 · United States Film Tariff · Hansard source

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  Yes.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I think the first text message that I received early on Monday morning was from Pinewood. So, yes, I am on that case as well, but it is not just about Amazon and Disney; it is also about the streamers and a whole series of other such organisations making their product here in the United Kingdom. Of course, Pinewood is the home of Bond, which also makes the point, because historically the distribution rights for Bond were, I think, with an American company, but the production rights were with Barbara Broccoli and her relatives. All of that is now with the US, but let me put it this way: I am very hopeful that Bond will still always be British.

• 7 May 2025 · United States Film Tariff · Hansard source

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  We are working on making sure that we have a proper trade deal that would not just mitigate the tariffs, but mean that we would not end up in the situation that the hon. Gentleman has just described. I know Leavesden well, and, for that matter, Warner was in touch very quickly—actually I think I was in touch with it very quickly on Monday morning. I am very hopeful that it will be part of our discussions when I gather the industry together tomorrow afternoon, but the hon. Gentleman makes a good point none the less.

• 7 May 2025 · United States Film Tariff · Hansard source

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  I could have predicted half the hon. Gentleman’s question, because I knew Paddington would get in there. On a serious note, I am meeting industry representatives tomorrow afternoon, and I look forward to understanding their precise concerns, in addition to the obvious concerns that we all share. I want to caution slightly against a word that has been used three times now, I think, with Members saying that President Trump has “announced” something. A clear policy has not been announced—I think we need to be careful about that. As I said earlier, it is difficult to see how a tariff would be imposed on a service or on films in this way. I want to be careful and precise in the way we move forward on this. I have been asked what we are doing: we have already had people in Washington DC talking with people in the Trump Administration at the highest level, and we will progress that. Of course, we want to do everything we can to preserve the strength of the industry.