Chris Bryant MP: speeches

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Speeches

17 Oct 2024 · Creative Industries: Artificial Intelligence · Hansard source
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It is absolutely essential that we protect intellectual property, which is one of the key things this country has to sell. We have already had two meetings with representatives from the creative industries and tech companies, and we are keen to move forward. I welcome the hon. Gentleman on his décolleté first appearance at the Dispatch Box. However, I gently push back on his suggestion, as I think the previous Government had embraced Bucks Fizz more than anything else: “Don’t let your indecision take you from behind.” The previous Government did absolutely nothing in this territory. We are determined to get to a proper resolution that satisfies the needs of both the creative industries and artificial intelligence.
17 Oct 2024 · Visitor Levies · Hansard source
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Responsibility for tourism levies is devolved, but we want to watch what happens in Scotland and Wales with close interest. One of my main hopes is to increase the number of international visitors to the UK, and ensure more and more visitors come not only to London and the south-east, but travel across the whole United Kingdom.
17 Oct 2024 · Visitor Levies · Hansard source
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Despite having been a Member of the Scottish Parliament, the hon. Gentleman does not seem to understand the basis of devolution. This is a matter for the Scottish Government to decide. We want to have a very positive relationship with the Scottish Administration and, for that matter, the Administration in Wales. Of course we will look at this. The UK Government have no plans to introduce visitor levies at the moment, although there are potential benefits that might accrue to local communities, if they could be got right, but the idea of us investigating what the Scottish Government are doing would be completely wrong.
17 Oct 2024 · Telegraph Poles: Planning Permission · Hansard source
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As this is the first time that I have seen you in the Chair, Madam Deputy Speaker, may I say how glad I am that you were elected? I voted for you, so there. [ Laughter. ] It is a secret ballot, so you can’t check. I congratulate my hon. Friend the Member for Birmingham Northfield (Laurence Turner) on his election; it is good to see him in his place. I think I am right in saying that King’s Norton is part of his patch, but he may not be aware that one of the shields on the wall of this Chamber is for a former Member for King’s Norton who was killed in the second world war: a very brave man who fought for his country and who died making it possible for everybody to evacuate. Ronnie Cartland was his name; he was a Conservative, but his first rebellion was when he was angry that the Government were not doing enough for distressed areas, including in my constituency in south Wales. I feel I have an affinity with my hon. Friend’s constituency, although I hope I have not prompted him to rebel instantly. I am delighted to have the opportunity to have this debate. I will be very clear: the vast majority of companies operating in this sphere are doing so entirely responsibly. They are doing a great favour for the nation in rolling out broadband of the kind of speed that everybody wants. I note the point that my hon. Friend the Member for Stourbridge (Cat Eccles) made about other countries in Europe; of course we aspire to that coverage for everybody across the UK. The vast majority of companies are operating responsibly but, frankly, a few are behaving like cowboys. As a Government and as a Parliament, I think we sometimes need to say to cowboys that they are drinking in the last chance saloon. I have made that abundantly clear to some of the operators. I know that some operators are striving to co-operate with one another and with BT Openreach to ensure that no unnecessary street furniture suddenly appears and that there is full consultation with the local community before a road is dug up for a new duct or a new pole appears. Companies that are abiding by the code of conduct and fulfilling their obligations are almost as fed up as my hon. Friend the Member for Birmingham Northfield and other hon. Friends; indeed, I am sure we could fill the whole Chamber with hon. Members who are equally fed up with the few companies that are bringing the whole system into disrepute. That matters, because in the end the most important thing is that the wider strategy is right. We want to deliver good-value, very high-speed, more than ultrafast, gigabit-capable broadband based on fibre to the whole UK as fast as possible without having to provide vast amounts of taxpayers’ money. We therefore need to do so on the basis of commercial roll-out. Of course it is right that that should not be on the basis of monopoly and that competition, where possible, should drive choice for consumers and cheaper prices. That part of the strategy is absolutely right. The part of the strategy that the previous Government were a bit more relaxed about—in fact, Ministers used to say categorically that they were completely relaxed about it—was overbuild. That has meant several companies digging up the road one after another, as has happened in some parts of the country. It has also meant several companies deciding that they need their own set of poles, or poles appearing in an area that had never previously had poles and in which ducts had been laid out but not used. I am not completely relaxed about overbuild. I am concerned about it, because I know that a lot of constituents up and down the land are concerned. However, I want to make sure that commercial operators that are abiding by the rules and the code of conduct have every opportunity to continue to do so, in order that their commercial investments are not disrupted unnecessarily and we can deliver the infrastructure that we need across the whole United Kingdom. In the end, I want the cheapest possible prices for people and the highest possible capacity across the network for every property in the land. I would issue one slight corrective in this debate. Sometimes people say that this is a battle between urban and rural, but in fact some of the issues in urban areas are completely different from those in rural areas, and some are identical. I am not sure whether that dichotomy is fair. My preference is for ducts wherever possible. That is not always possible, for a whole series of different logistical reasons in different areas. It is an undeniable fact that providing connectivity via poles is likely to be something like 10 times cheaper than doing it via ducts, so I fully understand why commercial operators want to install poles. I understand that that could mean that there will be poles in areas that have never had them before, and, in some areas, that is something that we will have to live with.
17 Oct 2024 · Telegraph Poles: Planning Permission · Hansard source
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Yes, I agree with every word that my hon. Friend has just said. He put it extremely well. He probably ought to be the Minister, and perhaps he will be soon. He is right. I also want to say that we should have shared infrastructure wherever that is possible. Legislation already makes provision for some of that to happen. In speaking to the operators, I have laid it down quite firmly that we need to enhance that infrastructure. I can perfectly understand why a commercial operator might say, “Well, I am not sure that I really want to share with my competitor”. That is why a new code of conduct has taken a while. I hope that new code of conduct, which I have discussed with the operators, will be laid out very soon. There is urgency about this, because the roll-out is happening this week, next week and the week after. We need to tackle these issues in short measure, not wait a long period of time. At the very latest, this code of conduct will be published in the early new year, and I encourage everybody in the sector to abide by the code. I encourage competitors to tell the two or three companies that are not playing by the rules that they are bringing all of them into disrepute. The single most important issue for most of these operators is how they will drive take-up. It is about not just roll-out—that is their investment—but take-up. When we talk about 100 megabits per second—or about gigabits per second—many people have no idea what we are talking about. The truth is that all of our homes and businesses will need much greater broadband capacity in the near future, so we do have to roll this out. We have to make sure that people understand why they need it. The danger is that, if this whole process undermines confidence in the roll-out, it will affect take-up. It is in the commercial interests of everybody to make sure that we come to a better set of solutions in this area. Let me go through a couple of the specific points that my hon. Friend raised. As he knows, the cabinet siting and pole siting code of practice was issued in November 2016. It sets out guidance on best practice relating to deployment, encouraging operators to site apparatus responsibly and engage proactively with both local authorities and the local community, and he laid out some of the specifics that follow on from that—the 28 days’ notice that needs to be given to local councils and so on. There are some operators—not the ones my hon. Friend is talking about, but for instance, IX Wireless, which I had in my office earlier this afternoon—that are operating a different model, and a different set of issues relates specifically to them. There, too, I have tried to make it clear what Government expectations are. As I say, following a meeting with the operators, the industry has committed to revising the code of practice, which I think will be much tougher, and the guidance should be published in the new year. However, I am absolutely clear that if voluntary adherence does not work, we reserve the right to change the law. We are in earnest about that, because we are aware of the concerns people have expressed. My hon. Friend is also right to say that Ofcom has stated that it would investigate any cases where poles are sited in a way that is not consistent with the requirements and guidelines in place, including where they block residents’ drives or where operators systematically fail to engage with local planning authorities’ suggestions. As my hon. Friend has already referred to, Ofcom has opened an investigation into whether Brsk has failed to comply with its obligations. I am keen to have a meeting with Brsk, and I hope that will happen in the next few weeks. I do not want to interfere in the process that Ofcom is engaged in; that is a matter for Ofcom and I would not seek to undermine what is effectively a quasi-judicial operation. However, I want to make sure that Brsk fully understands the concerns not only of many Birmingham MPs—I noted the contribution of my hon. Friend the Member for Birmingham Edgbaston (Preet Kaur Gill) earlier—but of the Government in this field. I commend my hon. Friend the Member for Birmingham Northfield for getting the debate so early in his time as a Member of Parliament. He is obviously going to be a doughty defender of the rights of his constituents. Madam Deputy Speaker, I noticed that you were nodding along—I know you are not really allowed to do that. You are shaking your head as well—you are not allowed to do that either. None the less, I think you broadly agreed with the thrust of what I was saying, so I feel as if I have united the House. On that note, I bid you farewell. Question put and agreed to.
16 Oct 2024 · Mobile Phone Reception: Bridgwater · Hansard source
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I welcome my hon. Friend to her place. She makes a really good point: as we take away the copper lines and move over to the new technology, which we need to do, it is absolutely essential that we ensure there is a safe transition, even if it is only for people who have telecare devices on which they rely for their own safety—I am sure we all have relatives who have one of those. I have already met all the operators, and I am determined to crack the whip on this issue.
16 Oct 2024 · Mobile Phone Reception: Bridgwater · Hansard source
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Well, I note that the mobile signal seems to be working in here, which is unusual for the rest of the country. We have to get this right, because people cannot live without a proper mobile signal. It is essential for people’s lives, their health and their ability to run a business, and we are determined to put things right. In direct answer to the hon. Gentleman’s question, yes, we will continue to fund the shared rural network.
16 Oct 2024 · Mobile Phone Reception: Bridgwater · Hansard source
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The most recent statistics, which are available for the old shape of the hon. Gentleman’s constituency, suggest that 97% of properties there have 4G connection. However, I am not sure that the statistics reflect the lived experience of most people in his constituency—or, I suspect, any other constituency in the land. That is not good enough, which is why our ambition is for all populated areas to have stand-alone 5G by 2030.
16 Oct 2024 · UK Space Sector · Hansard source
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We have already debated some of these issues, as the right hon. Gentleman knows, and he is right to stress that the UK space sector is one of our most important areas of possible economic growth. We want to maximise our unique potential in this area, and I look forward to working with him and the companies based in his constituency that are seeking to do this.
16 Oct 2024 · UK Space Sector · Hansard source
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It feels like I will be meeting everyone, but I am very happy to meet the right hon. Gentleman. Indeed, I am meeting Orbex later today, because an important point is that we have a specific geographical and skills advantage in the launch sector, which we need to exploit to our best advantage for the whole UK economy. It is not just about what happens on Shetland; it is about lots of businesses in the supply chain, from mission control to technological support. Yes, I am very happy to meet him.
16 Oct 2024 · Project Gigabit: Chester South and Eddisbury · Hansard source
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As part of Project Gigabit, Freedom Fibre is delivering a contract to provide 15,000 homes and businesses across Cheshire, including in the hon. Lady’s constituency, with access to fast, reliable broadband. In addition, over 800 vouchers have been issued to connect premises in her constituency through the gigabit broadband voucher scheme.
16 Oct 2024 · Project Gigabit: Chester South and Eddisbury · Hansard source
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I am happy to arrange the same kind of meeting with my hon. Friend as I offered to the hon. Member for Chester South and Eddisbury (Aphra Brandreth). He is right that there are very significant problems in south Wales valleys communities, and we need to put those right. It is a shame that we have not had a digital inclusion strategy for 10 whole years, which is a disgrace. That is one of the things we need to put right.
16 Oct 2024 · Project Gigabit: Chester South and Eddisbury · Hansard source
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I do not see it as a divide between rural and urban, because there are urban issues as well as rural issues. The hon. Lady is absolutely right that the previous Government failed to deliver in her constituency, and we intend to put that right. She should not believe everything she reads in the newspapers. I know that she was trying to have a meeting with Building Digital UK, and I am happy to make sure that we can both sit down with officials to try to sort out these problems in her constituency—and I am happy to do the same for any other Members.
16 Oct 2024 · Topical Questions · Hansard source
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it seems — [ Interruption . ] It seems I have never been so popular! I am very happy to meet the hon. Lady, as she makes a serious point. We want every single part of this country to share in the digital future. We can do that only if we have the infrastructure that we need everywhere in the UK.
9 Oct 2024 · Film Industry · Hansard source
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Take a step to the left. [Laugh t er.]
8 Oct 2024 · Edinburgh Festivals: Cultural and Economic Contribution · Hansard source
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It does not sound like it would. [ Laughter. ]
8 Oct 2024 · Edinburgh Festivals: Cultural and Economic Contribution · Hansard source
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There we are—I have been corrected. The most important point my hon. Friend made was about creative education. We need to make sure that every single child in this country gets a proper creative education. It is a force multiplier for other forms of education and means that children will prosper better in the work market. We are determined to transform that. My hon. Friend—sorry, the hon. Member—for Edinburgh West (Christine Jardine)—she is a friend as well; she is a very friendly person—is from my mother’s part of the world: Glasgow. She made a very important point about the world’s window on us. That element of soft power, which several Members have referred to, is important. The Edinburgh festivals as a whole are an important part of that. For instance, the film festival and the television festival are world-renowned moments when people look to the UK. She talked about the cost of accommodation in Edinburgh, which goes back to some of our discussions about short lets. It is a significant concern, and one of the things that we want to learn lessons from. My hon. Friend the Member for Edinburgh North and Leith (Tracy Gilbert) also referred to accommodation costs. I am conscious that some people think we are going to be looking at dynamic pricing in relation to those costs: we are not; we are looking at dynamic pricing in relation to tickets. It is very interesting that the Edinburgh festivals do not use dynamic pricing. That is a really important part of making the whole package affordable and more accessible to more people. My hon. Friend the Member for Glasgow West (Patricia Ferguson) referred to the book festival—it is not just because Walter Scott gets a great big statue; so many literary figures have come from Edinburgh. She also referred to the importance of Edinburgh being a UNESCO city of literature. The hon. Member for Cheltenham (Max Wilkinson) talked about the Cheltenham festival. I welcome him to his place and look forward to working with him. I am going to answer the questions from the shadow Minister, who I think sings in a barbershop quartet or chorus—
8 Oct 2024 · Edinburgh Festivals: Cultural and Economic Contribution · Hansard source
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It is a pleasure to serve under your chairmanship, Mr Efford. I should point hon. Members to the Register of Members’ Financial Interests, because I was paid by the Edinburgh book festival a year ago. I note that nobody else has had that to point out. I will start by paying tribute, as many others have, to Shona McCarthy. She has done a phenomenal job over nine years. She has taken the festival through some of its most difficult moments, and it is striking that 2.6 million people bought tickets this year, which is the fourth highest number in its 77 years. That is absolutely brilliant, and we wish her well. The Minister—I am sorry, I meant the shadow Minister. We keep on doing this because we are not used to it. I do not think the shadow Minister said that the joke he told was by Mark Simmons—he should attribute jokes. Simmons also had the no. 5 joke, which was: “I love the Olympics. My friend and I invented a new type of relay baton: well, he came up with the idea, I ran with it.” [ Laughter. ] Yes, it was terrible, wasn’t it? I pay tribute to my hon. Friend the Member for Edinburgh East and Musselburgh (Chris Murray). It is great to have a lot of new friends, especially from Scotland, and we are delighted to see Edinburgh so well represented. I will try an innovative thing, which is to answer the questions that have been asked as much as I can. My hon. Friend asked about multi-annual financial planning. In so far as we possibly can, we want to be able to give economic stability to arts organisations, just as we do to local authorities in many other parts of the economy. That is one of the things we are driving towards in the spending review. However, I am afraid I must point him to the fact that there will be a Budget at the end of the month, and I can hear my right hon. Friend the Chancellor in the back of my ear already saying, “That’s far enough, Bryant!” My hon. Friend the Member for Edinburgh East and Musselburgh asked about cross-UK engagement. I want to make this absolutely clear: I do not want to engage in any kind of cultural battles with Scotland, Northern Ireland or Wales. We should be seeing this as a joint venture. The creative industries are a part of what defines this nation across the world, and we will only do well if we work together to achieve the best outcomes for performers, people who might become performers and the industry as a whole. My hon. Friend makes a good point about visas. I will take that away and think about how we could work most creatively with the Home Office to make sure we get this right. It is not just about people coming into the UK; I also argue that it is about UK acts being able to tour in Europe. I was absolutely delighted earlier this year to go and see Depeche Mode in Cologne. I have never seen Germans so excited; they just can’t get enough. [ Laughter. ] Thank you. My hon. Friend made an important point about crisis support. I am worried about the situation that arose, in particular, for the book festival and Baillie Gifford. He makes a fair point about whether that is the right way to go about making important points about climate change. One of the things we need to do as a Department is look at the whole package of the whole funding of all the arts and creative industries, which used to come from five or six different segments, including local government, which was prominent in that when we were in power before 2010. Most of that funding has completely gone, and philanthropy is struggling outside London and the south-east. We need to look at this in the round. It is great to see the Chair of the Culture, Media and Sport Committee, the hon. Member for Gosport (Dame Caroline Dinenage), in her place, as she always is—she was in your place earlier for a previous debate, Mr Efford. She makes very good points about short lets. The legislation already in place for England and Wales, for which we are now considering how we will implement and take forward secondary legislation, would not apply in Scotland. However, we want to learn some of the lessons of what has happened in Scotland so that we can apply sensible legislation in England and Wales. I thought her point about co-operation was very well made—my hon. Friend the Member for Edinburgh East and Musselburgh made that point as well. It is not just about us: there is a Government in Scotland, and it is also about local government across the whole of the UK. In England, I would argue that it is also about regional mayors, who play a very important part in the creative industries. My hon. Friend the Member for Edinburgh South West (Dr Arthur) referred to quieter parts of the year. It is a very well-made point. I would also argue that there is an issue about quieter parts of the country. It is all very well getting all the tourists to come to London, Oxford, Cambridge, Stratford, Bath and Edinburgh, but if they do not also go to other places—Stirling, I know, has a very fine castle, because I danced the Highland fling in it when I was 12, I think. Making sure that the benefits accrue to the whole of Scotland and to the wider economy is a really important part of what we need in our tourism strategy. My hon. Friend the Member for Edinburgh South West also made a good point about a tourism career. That is something we need to take far more seriously as a country. Why is it that somebody who works in a bar in Paris, or in a restaurant in France, Spain, or wherever, thinks that is a career for life, whereas we think it is somehow a demeaning job, which it is not? We need to completely transform that if we are to transform our tourism opportunities so that we get more than 32 million people coming to the UK. The omnipresent hon. Member for Strangford (Jim Shannon) made important points about Northern Ireland performers—some of the best comedians we have known over the years—coming to Edinburgh and getting an opportunity, and about other festivals. Trying to get the economic possibility for festivals to flourish goes back to the point I was trying to make about the whole package of finances available. My hon. Friend the Member for Mid Derbyshire (Jonathan Davies)—a former music teacher, no less— made very good points about other festivals. I am not sure about the Gilbert and Sullivan festival—I am worried now that I might get into trouble. I just remember that line from “Trial by Jury”: “She might very well pass for 42, in the dark, with the light behind her”—
8 Oct 2024 · Edinburgh Festivals: Cultural and Economic Contribution · Hansard source
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Yes.
8 Oct 2024 · Edinburgh Festivals: Cultural and Economic Contribution · Hansard source
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Not yet—all right. He asked about the levy in Scotland, which is of interest to lots of people. Lots of other countries do it; it is not something that we are pursuing at the moment. He asked about the creative industries in the Budget—well, he will have to wait for the Budget, won’t he? He asked about tax reliefs—he can wait until tomorrow morning. Question put and agreed to. Resolved, That this House has considered the cultural and economic contribution of the Edinburgh festivals.
8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source
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My hon. Friend makes a very good point. It will be a complete failure for this country if the only place a student can study an art A-level is at Eton, because it has a good art teacher and art classroom and all the rest of it, or if the only place a student can throw a pot in a school is in a very middle-class area with lots of middle-class parents. I know this from my own experience: in the Rhondda and Ogmore, a vital part of what we do well for the nation is producing people who have excelled in the creative industries, but those people have often had to do so despite not having those opportunities locally. Artists such as Ernest Zobole and Charles Burton were involved in teaching locally, which is important to ensure there is a pipeline for young people who are thinking about art, drama and so on. I would also argue, incidentally, that a creative education is a force multiplier for all other aspects of education. What is it that many employers want? They want somebody who will be able to confidently answer the phone. That self-confidence is as likely to come from having done a drama course and learned how to speak publicly, to project and use the voice and to be part of a team, or from having sung in a choir or played in an orchestra, as it is from being really good at maths. That is the kind of attitude that we need to adopt. I do not want to stray too far into the subject areas of the Department for Education, but it is worth pointing out that what is in the national curriculum needs to be advanced in every school, not just some schools. The structure of education in England is obviously different from that in Wales, but I am conscious that we need to take these issues forward. The main point of this debate, of course, is that the creative industries are an enormous part of our cultural and economic future. They represent £125 billion of value to the UK. My hon. Friend referred to video games, which are a fast-growing sector. Last week, I visited Ubisoft in Newcastle, which represents significant investment; large numbers of people will be working there. Exactly the same is true in Stoke. The video games industry is worth something like £7 billion in the UK now, which I confidently expect to grow in the years ahead—not least because it builds on things that we have been exceptionally good at in the UK, such as producing books, telling stories, creating characters and music and technological development. I played “Assassin’s Creed” last year, very briefly; I was not very good. However, what was fascinating was that its development used archaeologists and historians to make sure that everything that people see on the screen is perfect. That is a whole nexus of creativity that we want to develop. Growth in this sector over the last 14 years has been higher than in the rest of the economy and we know that it will continue to be higher in the future, as long as we make the right investments and the right decisions. The creative industries sector is a large employer in the UK, employing some 2 million people. There is nobody here from the previous Government to defend themselves, but I felt that over the last few years that the creative industries sector was denigrated a bit, as if going into the creative industries was not a proper job; ballerinas were told to retrain and things like that. That is not our attitude. We believe that the creative industries are an absolutely essential part of our future economic growth. My hon. Friend made the point about levelling up, in a sense, although he did not use the term—maybe we need to ditch it. Nevertheless, it is an important point that there are 55 creative industries clusters and 700 micro- clusters around the UK, and this is an opportunity to ensure that that happens everywhere, because talent is everywhere but opportunity is not. That is what we really need to change and that is what our strategy will be devoted to. It is not a “nice to have”; it is absolutely essential to our economic future. My hon. Friend referred to Stoke as the crucible of creativity, which I think is a reference to the burning of the pottery at the start of the process, although I now have the title of Arthur Miller’s play going through my head; that play slightly ruined my school days. However, he made a very important point about the World Crafts Council granting world craft city status to Stoke. When Clarice Cliff died in 1972 lots of people probably thought that she would be forgotten, but she has now been brought back, not least because of things such as “Antiques Roadshow”. Again, this is a cycle of creativity, whereby different creative industries feed off and enhance one another. My hon. Friend also referred to video games; I think that it is Junction 15 Productions that won the Emmy for its work on the Beijing Olympics. He is quite right—the industry is worth £7 billion. As I saw in Leamington Spa, it is essential that there is close working with the local university, to ensure that there are people coming through. The course at the University of Staffordshire is world-renowned. That is a really important part of ensuring that people are coming through into the industry, because it has vacancies; in particular, it has vacancies five and 10 years in. That is an important part of the work that we need to do. I commend the city on developing a cultural strategy for 2022-28. It has been a cross-party process; the strategy was originally introduced by Conservatives and was carried forward by Labour. I wish that every single local authority in the land—as well as the Mayors, many of whom are advancing such plans—had a similar kind of strategy, because in the end all of this has to be delivered at local level, and it is creating that ferment of excitement that enables these things to happen. I commend Stoke for that. As I said earlier, the combination of culture and tech is important; for example, making sure that there is full fibre roll-out across the whole of the city is an important part of making many modern creative industries flourish. There was a reference to the New Vic Theatre in Newcastle-Under-Lyme. I note that Angela Carter’s “The Company of Wolves” is on at the moment and I also note that the Christmas show is “The Three Musketeers”. Indeed, the publicity for “The Three Musketeers” might be referring to my hon. Friend when it says: “A spirited country boy arrives in the big city with big dreams”. There we are; I think that is him to a tee. I will just make some final points. First, as I have said, creative education is absolutely essential for what we want to achieve, and we also want to reform the apprenticeship levy so that it works much better for creative industries, and so that there is portability and flexibility. Thus far, the levy has not really worked in that regard, but we are working on it. Secondly, I have an ambition that there should be no impediment for somebody from a working-class, ordinary background from whatever community in the UK, to consider going into the creative industries as a career. All too often, the creative industries have almost become a kind of hereditary industry, because someone can only afford to start in them by taking an unpaid post for a year or two, which is paid for by the bank of mum and dad, or if someone has a parent or another family member who has worked in that creative industry. We need to change that situation completely, so that the full talent of the whole of the UK is embraced. Finally, we need to ensure that the product of the creative industries is accessible to all, which is about people being able to go to the theatre, going to live art events, see art in their streets and having architecture in their city that is beautiful, and which lifts and inspires. That is the ambition that we have as a Government, and Stoke is beautifully exemplifying it in its crucible. Question put and agreed to.
8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source
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It is a particular joy to see you in the Chair, Dame Caroline, as with one of your many other hats on you have a passionate interest in the creative industries. It is great to have you here. I will start by commending my hon. Friend the Member for Stoke-on-Trent Central (Gareth Snell) on being elected again, which is a great delight—this is a slightly different debate from the one we might have had if it had been led by his predecessor. It is good to see him return to the House. He says he hopes that I enjoyed his tour; the danger is that I enjoyed the tour so much that I might not need to make the actual tour. I will answer the specific questions first and then make some other comments. First, on whether I will visit, I am very happy to; it is just a question of when we can make that work. I am in two Departments, so it would be good if we could try to combine some of the work on tech with some of the work on creative industries, which would follow on from what the council has done locally. I think of tech as a creative industry, but the council has led the way in trying to combine the two. Secondly, on whether we will look at creating a creative cluster, my hon. Friend makes a very good case. We are looking at what we need to do about creative clusters in the next round of announcements next year, so he has made a good bid and my officials are listening very attentively.
8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source
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Well, I am also the Minister for tourism, so I feel as if I will be going on a tourism visit. We will see what works as the best kind of visit. I am always a little worried about trying to do too many things in one visit and then nobody gets a proper insight into anything, but we will certainly look at that. My hon. Friend the Member for Stoke-on-Trent Central makes a good point about creative clusters. It is a key way of developing a real levelling-up strategy. My hon. Friend’s third question was whether the creative industries will be a key part of an industrial strategy. The Government are working on this at pace, and I can assure him that we are making a strong case for the creative industries being an absolutely essential part of that strategy. I do not think Britain can have a successful future economically speaking—let alone sociologically, and in many other ways—unless that is the case, so I can assure him that it will be. My hon. Friend asked a fourth question—I am answering all these questions directly; it won’t catch on—about whether we would have conversations with the Department for Education on the curriculum. I will not bother reading out what has been written for me—the answer is yes. We are already having those conversations. We have seen a shocking decline—in the region of 40% to 50%—in the number of students studying music, drama and art over the past 14 years, and we want to reverse that. It is not going to happen overnight, but we have to put all these subjects right back at the heart of the curriculum. That is an essential part of what we have to do.
8 Oct 2024 · Creative Industries: Stoke-on-Trent · Hansard source
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Oh dear.
10 Sept 2024 · Dynamic Ticket Pricing · Hansard source
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Of course I give way to one of our leading musicians.

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