Chris Bryant MP: speeches 2025

Speeches

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  We have already invested significant amounts of money in the skills sector, and more came as a result of the Budget. My hon. Friend is quite right that his patch is a go-to area for film production. One reason that US companies—and, for that matter, companies from many places around the world—come to the UK to make films is for our skills; we have some of the best cinematographers, technical experts and designers, as well as the acting talent, which means that it is possible to make a very convincing film in the UK more effectively and cheaply than in many other places. We are determined to ensure that the UK remains the best place in the world to make movies.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  I find it difficult to believe that there has not ever been a film made in Devon, but if that is the case, one of my major aims must be to make sure that in the next few years a film is made in Devon. Perhaps we will be able to get the hon. Member a bit part. I will, if I may, just refer back to Cheltenham. One of the films made in Cheltenham many, many years ago was “If”, which is wonderful and was directed by Lindsay Anderson. The word “if” is a very important one at the moment, because we are talking about if these tariffs were to be imposed.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  The hon. Gentleman is absolutely right. We want to maintain the UK as the premier destination for international investment from not just the United States of America, but India, which I have already referenced, and Nigeria; I would like to see a lot more co-production between the UK and Nigeria. It is worth bearing in mind that 51% of our movie exports go to the European Union, so this is a genuinely open market, and my belief is that free trade is better than tariffs.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  The hon. Lady makes a good point, which has been raised with me by several other Members. We made special provision in the Budget to ensure that the business rates for studios are protected until 2034, and I think that is a good measure. I know that some of the very large studios are finding it more difficult, and I am happy to continue looking at the issue. Let me read some statistics that may be helpful. According to a report published in January by the Motion Picture Association of the United States of America, in 2023 the US earned $22.6 billion in film and television exports, and its services trade surplus was $15.3 billion, or 6% of the total US trade surplus in services. It is mutually beneficial for the US and the UK to remain with the system we have, without tariffs.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  That is a very fair point; I am happy to do that.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  I know Hackney very well; as my hon. Friend knows, I used to be a councillor there. It is not just London that is a phenomenal place to make a movie, but the whole United Kingdom. We have some of the best scenery and some of the best buildings. It is not only Bath, which gets used endlessly in lots of films—when I was there a couple of weeks ago, I heard about a long list of them. My hon. Friend is also right about television. What is the difference between making “Bridgerton” and making a movie? In fact, the pattern is very similar; international collaboration is important because it delivers international audiences, and we want to maintain that.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  Yes.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  I think the first text message that I received early on Monday morning was from Pinewood. So, yes, I am on that case as well, but it is not just about Amazon and Disney; it is also about the streamers and a whole series of other such organisations making their product here in the United Kingdom. Of course, Pinewood is the home of Bond, which also makes the point, because historically the distribution rights for Bond were, I think, with an American company, but the production rights were with Barbara Broccoli and her relatives. All of that is now with the US, but let me put it this way: I am very hopeful that Bond will still always be British.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  We are working on making sure that we have a proper trade deal that would not just mitigate the tariffs, but mean that we would not end up in the situation that the hon. Gentleman has just described. I know Leavesden well, and, for that matter, Warner was in touch very quickly—actually I think I was in touch with it very quickly on Monday morning. I am very hopeful that it will be part of our discussions when I gather the industry together tomorrow afternoon, but the hon. Gentleman makes a good point none the less.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  I could have predicted half the hon. Gentleman’s question, because I knew Paddington would get in there. On a serious note, I am meeting industry representatives tomorrow afternoon, and I look forward to understanding their precise concerns, in addition to the obvious concerns that we all share. I want to caution slightly against a word that has been used three times now, I think, with Members saying that President Trump has “announced” something. A clear policy has not been announced—I think we need to be careful about that. As I said earlier, it is difficult to see how a tariff would be imposed on a service or on films in this way. I want to be careful and precise in the way we move forward on this. I have been asked what we are doing: we have already had people in Washington DC talking with people in the Trump Administration at the highest level, and we will progress that. Of course, we want to do everything we can to preserve the strength of the industry.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  The hon. Member refers to some things I have already spoken about, but why did he not make his film in Devon? He has obviously not got the message from his party colleagues. There are lots of great British films that will be watched in American cinemas over the weeks to come, and I am certain that no President would want to say, “Don’t watch British films”. One of the films I enjoyed most over the last few months was “Conclave”, which was a phenomenal success and remarkably timely.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  As the House will be aware, President Trump announced on Sunday that he had authorised the Department of Commerce to initiate tariffs on all movies produced in foreign lands. He has made other comments since. This is a very fluid situation and we will continue to take a calm and steady approach. I spent most of Monday talking to UK and US film makers and the general secretary of Bectu, among others, and I can tell the House that we are already in active discussions with the top of the US Administration on this subject. We are working hard to establish what might be proposed, if anything, and to make sure our world-beating creative industries are protected. We are absolutely committed to ensuring that the film industry can continue to thrive and create good jobs right across the UK. UK film and high-end television generated production spend of £5.6 billion in 2024, and we want to work with our domestic industry and international partners to continue to build on that success. We are absolutely clear that the deep ties between the US and UK film industries provide mutual benefits to both countries. Productions are, by their very nature, international partnerships, which are often developed and created across different countries and locations. Indeed, US movies are often multinational precisely because US movies earn far more overseas than they do domestically in the United States. The UK and the US both benefit when the likes of “Star Wars” and “Mission Impossible” are filmed in the UK, just as we both benefit from the close working relationship between our producers, talent and crew. Our countries have a long history of working together to drive the growth and creative success of our film and television sectors. From Cary Grant to Hugh Grant, and from Alfred Hitchcock to Christopher Nolan, British talent has often been at the forefront of the US sector, and I am absolutely sure this will continue in the years ahead. I was once told by a film producer, “Never judge a film by the first 10 minutes.” I think we can say the same of this.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  What film were you—hang on, we are not meant to do this, are we? Order, order. As I was saying, I am also very proud of the young actor Callum Scott Howells, who is doing phenomenally well.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  I shall make two points in reply to that question. First, there have been difficulties over the past couple of years in the UK film and high-end television industry because of what happened in the United States of America. That makes the point about the mutuality between the US and the UK film industry all the stronger. The truth is that I would like the US movie industry to be strong, because if it is strong, our industry will be strong as well. There are net benefits for both of us, and there is a win-win situation. The second point is about freelance work. I have often worried that so much of the creative industries relies on freelance workers. In many cases, that is great, because people want that kind of career, but they also need some degree of security if they are to be able to take out a mortgage and plan their economic future. That is definitely one of the things that we will look at in relation to the industrial strategy, which we hope to be publishing soon.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  My hon. Friend is quite right about Harlow. I would argue that many different parts of the UK that have never yet managed to get into films need to up their game. Local authorities can play a role in ensuring that their area is considered as a potential place to make a film. It is often about whether other facilities are available in the local area that can contribute to that. He makes a fair point on behalf of Harlow, and if there is a film, he will be starring in it.

• 7 May 2025 · United States Film Tariff · Hansard source

  More

  The thing is, Tom Cruise does all his own stunts, doesn’t he? I am a little bit nervous about being dangled off the back of a helicopter or dumped in a vat of—I don’t know. [ Interruption. ] The shadow Minister says he will happily arrange it. Well, then, I invite him to see the Rhondda tunnel; we can dangle him down a hole as well. The hon. Lady is making a point that has been made several times. Tom Cruise is one of the biggest investors in the UK because of all the movies that have been made here, and we are very grateful to him. The British Film Institute will be honouring him next week, and I think that is really good. As I say, we are the best place in the world to make movies, and we want to continue that. I feel very left out, not having a studio in my constituency, but we have produced some of the best actors in the world, including Sir Stanley Baker. I think one of his best films—you will know this, Mr Speaker—was “Sodom and Gomorrah”.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  Yes.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  Obviously, a series of different things will happen. We will have to respond to the consultation at some point, and I guess that the Culture, Media and Sport Committee will want to respond as well. In the meantime, we will be running a working group. I am very happy to keep the House updated on how that work progresses, but I do not want to commit to producing something within 12 months without being absolutely certain that I can do so. If new clause 17 is carried today, it will be a requirement by law that we produce a response within 12 months. I fully get the point about urgency. As the right hon. Member for Maldon knows well, this issue has been hanging around for a considerable period of time. We in the UK have perhaps been a little slow, but I want to make sure that we get it right, rather than legislate piecemeal.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  I am terribly sorry, but I do need to crack on because I have very little time. I have not yet mentioned new clause 21 and amendments 39 and 40. Let me start by saying that the Government accept the Supreme Court ruling, but it is paramount that we work through this judgment carefully, with sensitivity and in line with the law. We cannot simply flick a switch; we must work through the impacts of this judgment properly, recognising that this is broader than data used by digital verification services. I reflect the comment made earlier by the shadow Minister, the hon. Member for Runnymede and Weybridge (Dr Spencer), when he said that data accuracy is important.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  Will the hon. Lady just let me finish this paragraph, because it might read better in Hansard ? Actually, I have now added that bit, so it is ruined, and I might as well give way to her.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  Earlier I appeared as a Department for Culture, Media and Sport Minister, and now I appear as a Department for Science, Innovation and Technology Minister. I hate to embarrass Members, but they will get two bouts of me today. I will start with the Government amendments, and then once I have heard the arguments from Members advancing other amendments, I will speak to those later in the debate. If I do not cover subjects in this initial speech, I will get back to them later.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  Yes.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  No.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  I do not resile from my views just because I have become a Minister, just as the right hon. Member did not when he became a Minister. He makes an important set of points. I do think, however, that they are already met by the changes in the schedule to article 45B, which is not an exhaustive list of things that the Secretary of State may consider. The points he refers to are certainly things that the Secretary of State could—and should, I would argue—consider.

• 7 May 2025 · Data (Use and Access) Bill [Lords] · Hansard source

  More

  I completely understand and, in large measure, share those concerns. We wanted to ensure, in this fast-changing world, that the creative industries in the United Kingdom could be remunerated for the work they had produced. We are not in the business of giving away other people’s work to third parties for nothing: that would be to sell our birthright for a mess of pottage, to use a term from an old translation of the Bible, and we are determined not to do it. As my hon. Friend—and several other Members—will have heard me say many times before, we would only proceed with the package of measures included in the consultation if we believed that we were advancing the cause of the creative industries in the UK, rather than putting them in danger or legal peril. I think that some of the things I will say in a moment will be of assistance. We want to reach a point at which it is easier for the creative industries—whether they are large businesses with deep pockets and able to use lawyers, or very small individual photographers or painters—to assert and protect their rights, and to say, if they wish, “No, you cannot scrape my material for the purpose of large language model learning, unless you remunerate me.” That remuneration might happen via a collective licensing scheme, or it might happen individually. Either way, we want to get to more licensing rather than less. As, again, I have said several times at this Dispatch Box, we have looked at what has happened in the European Union and what is happening in the United States of America, and we believe that although the EU said that its package was designed to deliver more licensing, it has not led to more licensing or to more remuneration of the creative industries, and we want to avoid that pitfall. As I have said, I take the concerns of the creative industries seriously, both as a DSIT Minister and as a DCMS Minister; of course I do. I agree—we, the Government, agree—that transparency is key. We want to see more licensing of content. We believe that the UK is a creative content superpower, and we want UK AI companies to flourish on the basis of high-quality data. I have spoken to a fair number of publishing companies, in particular UK companies such as Taylor & Francis, a largely academic publisher. As Members will know, the UK is the largest exporter of books in the world. Those companies are deliberately trying to get all their material licensed to AI companies, for two reasons: first, they want to be remunerated for the work that they have provided, and secondly, just as importantly, they want AI to come up with good answers. If you put dirty water into a pipe, dirty water will come out at the other end, and if you put good data into AI, good answers will come out of AI. That is an important part of why we want to ensure that we have strong AI based on high-quality data, and much of that is premium content from our creative industries. We also agree that the Government must keep an open mind, and must take full account of the economic evidence. That is why we have tabled new clauses 16 and 17, which set out binding commitments to assess the impact of any and all proposals and to consider and report on the key areas raised in debate. That includes any and all of the options that were involved in the consultation that we published after the amendments were tabled in the House of Lords. As the Government take forward the commitments made by these amendments, they will consider all potential policy options. I must emphasise that the Government have not prejudged the outcome of the consultation, and take the need to consider and reflect on the best approach for all parties very seriously. Members will, I am sure, have read new clause 17; it requires the Government to report on four matters. First, there is the issue of technical solutions that would enable copyright owners to control whether their copyright works could be used to develop AI.