Caroline Dinenage MP: speeches

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Speeches

5 Nov 2024 · Supporting Victims of Rape and Sexual Violence · Hansard source
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Will the hon. Lady please confirm the number of criminals convicted of rape, sexual abuse, domestic abuse and domestic violence who are now back on our streets as a result of her Department’s early release scheme?
30 Oct 2024 · Budget Resolutions · Hansard source
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I have enormous respect for the hon. Lady, given her previous role and her important new role as Chair of the Treasury Committee. As the Chancellor will be coming to see the Committee shortly, could the hon. Lady put a question to her on my behalf. We all know that we can learn lessons from previous Budgets about the law of unintended consequences. The thing that most concerns me in this Budget is the combination of raising employers’ national insurance contributions, cutting the threshold at which they start paying NI, and raising the minimum wage. Could the hon. Lady ask the Chancellor whether there will be special support for businesses that employ a lot of people on low wages, such as care homes and childcare settings, which will be most impacted by the measures? Otherwise, the costs will be passed on.
22 Oct 2024 · Pub and Hospitality Sector · Hansard source
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I pay tribute to my hon. Friend the Member for Mid Leicestershire (Mr Bedford) for raising this important debate. We can see from the number of people here how much this touches every single one of us. In my constituency, local venues, pubs and restaurants are seeing a triple whammy of pressure with increased wage costs, increased energy costs and the significant rise in business rates as rates relief comes to an end. That is having a massive impact. Nationally, these venues are closing at a rate of 50 a month. I am reminded of work by the Culture, Media and Sport Select Committee earlier this year looking at grassroots music venues, because of course many pubs and restaurants are live music venues as well. They are also the R&D department of our globally successful music industry—they are vital to it—and they are closing at the rate of two a week. Two things the Committee advocated in our report were, first, a levy to go between the big arenas to the small, independent venues and, secondly, a time-limited and very targeted VAT cut. I would like to make the argument for such a cut for small independent hospitality venues. I do not want to take the argument purely into numbers, because these venues are so important in the way they make us feel—they can regenerate communities and can address social isolation and loneliness—but they are vital for our local economy and for jobs. In the Gosport constituency alone, these venues employ 2,000 people across 146 venues. They are vital. The knock-on effect of venue closure can be devastating. A time-limited and very targeted VAT cut could be a lifeline for some of the venues that are struggling and still have not got back up to speed and back to pre-pandemic opening hours.
17 Oct 2024 · Multi-sport Grassroots Facilities · Hansard source
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The Minister will know that grassroots sports venues play a key role in improving the nation’s health. The UK will host the T20 women’s world cup in 2026, and cricket will join the Olympic family of sports in 2028. The previous Government committed a £35 million investment into 16 grassroots cricket hubs and cricket domes. Will the Minister commit this Government to fulfilling that promise?
9 Oct 2024 · Film Industry · Hansard source
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First, I welcome the Secretary of State’s words. The Select Committee worked hard to get that commitment to tax credits in the Budget earlier this year, and her implementing it at a time when investment in British film—particularly low-budget British film—is at its lowest ebb, is both welcome and timely. Our recollections of the previous Government’s achievements on the creative industries differ. I think that once she has had a little bit of time to get her feet under the table, she will see that she has a hard act to follow on commitment to the creative industries. When does the Secretary of State expect the Government to confirm the introduction of the visual effects tax credits? They were also announced in the Budget and have been consulted on, and they are also desperately needed and urgent. I would be grateful for an urgent response on that. Does she have any plans to look at the enterprise investment scheme for film and high-end TV? That is also much needed to get investment into British independent film and television. Finally, she spoke about the investment summit. Will she please confirm that the creative industries’ role in that will not just be to add the stardust? They are such a fundamental and integral part of our industrial strategy and they contribute so much to the British economy, so they must be there as a central focal point of her Government’s future industrial strategy.
9 Oct 2024 · Engagements · Hansard source
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In April, more than 50 homes and businesses in Gosport found themselves underwater when Storm Pierrick hit; some people have still not been able to return to their properties. This has now been upgraded to a one-in-20-year risk. We have still not had a decision from the Environment Agency about flood and coastal erosion risk management funding, for which we have applied. Despite requests, I have still been unable to secure a meeting with the Prime Minister’s DEFRA team. Winter is coming and my constituents are worried. When is he going to grip this?
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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Bradley Thomas has one minute to wind up.
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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I thank all Members for their forbearance and efficiency this morning. We have managed to get through everybody. I also thank the Front-Bench spokespeople for forgoing a little bit of their summing up time. I call Sarah Olney for the Liberal Democrats.
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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Order. A lot of people want to take part in this debate, so I remind everybody that they need to bob if they wish to be called. Given the nature of the debate, I recommend that Members declare any interests if they have them. I am going to kick us off with a three-minute limit on contributions because 19 people are down to speak.
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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Order. We have to move on to the next speaker.
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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Order. We seem to have a problem with the sound—it seems to be everybody’s microphones. I encourage the hon. Gentleman to plough on while we see whether we can change a few plugs and get it rolling again. In case he was put off by the tinny quality of the sound, we are trying to get it rectified. Please plough on.
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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This is a reminder that there is a two-minute time limit and, in order to get through the remaining speakers, I am now not going to add an additional minute for each intervention.
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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I am desperately trying to squeeze everybody in, but, as we can see, a lot of people want to speak, so I will now take the time limit down to two minutes.
8 Oct 2024 · Independent Schools: VAT and Business Rates Exemptions · Hansard source
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Order.
8 Oct 2024 · Edinburgh Festivals: Cultural and Economic Contribution · Hansard source
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It is a huge pleasure to serve under your chairmanship, Mr Efford. I congratulate the hon. Member for Edinburgh East and Musselburgh (Chris Murray) on securing the debate and on the excellent way in which he championed his city. As someone who has visited the festivals during August many, many times over the years, he has made a fine case for the value of them and makes me want to go back again. Anyone who has visited Edinburgh at any time of the year will say what a wonderful, vibrant and historic city it is. I was not at all surprised to find out that of all the cities in the UK, Edinburgh receives the highest proportion of international visitors to the UK: 68% of the total. The challenge for policymakers is how to grasp the strong pull factors and turn them into gold dust that benefits not only Edinburgh but the rest of Scotland and indeed the rest of the UK. The festivals play a massive part in that. How can we best use our cultural heritage to further our soft power abroad and promote prosperity at home? The 11 major festivals that comprise the Edinburgh festival are a perfect tool to do it. The international festival, the Fringe and the tattoo always get the limelight, but of course 11 festivals make up the complement. The Edinburgh international book festival, which the hon. Gentleman mentioned, remains the biggest in the world, with more than 900 authors in attendance. However, the reports that have been released by the festivals lay bare some of the significant challenges, including the rise in the cost of living accommodation and security expenses, and the costs are being exacerbated by the frustrating, restrictive and punitive bureaucracy that has been imposed on Edinburgh’s landlords by the Scottish Government. I also have concerns about the future of funding for acts at festivals such as the Fringe. Both those issues tie into the all-important question of how and why the Government should and could be stimulating cultural activity, specifically to develop artists, actors and creators. This issue is too big for Edinburgh council to deal with alone: it has an impact on the whole of Scotland and the whole of the UK. In short, it is for all of us to work out how the various festivals can continue to play a role as the incubator—a sort of research and development department for world-class artistic talent—and a role in tourism, expanding the horizons of those who come along and see them. That is why, despite the fact that both culture and tourism are devolved, the previous Government spent £1 million supporting the festivals with their digital offer. It is the talent that brings visitors in their hundreds of thousands. There were 700,000 unique visitors last year alone, and that number does not account for the many artists who require somewhere to live. They are the up-and-comers who are looking for their big break. They are young, not well off and looking for somewhere cheap to stay, but for many the heavy-handed licensing and prohibitive legislation around short-term lets is destroying any chance of their being put up for the night. Gone are those days when a well-meaning, friendly person who wanted to support aspiring artists could just give over their spare bedroom for a few weeks. New regulations require landlords to be compliant with rigorous safety rules, fit and proper person tests and assurances that the let will not adversely affect the community. The measures have adversely impacted the availability of short-term lets, which is especially ironic considering the fact that 72% of locals say that the festivals make Edinburgh a better place to live. If my local city was inundated with people every year and I could not find a table to go out and eat, I am not sure whether I would feel the same way, but people do feel the benefit of the festivals. I urge anyone with a stake in the future of Edinburgh festivals to engage with Edinburgh council’s consultation on the scheme, which closes on Monday. The Scottish Government would do well to review the 2022 regulation and ask themselves why they have decided to restrict access to one of our most successful cities and festival programmes at a time when the events are inevitably finding it more expensive and difficult to operate. I hope the Minister will have a conversation with his counterpart in Holyrood and emphasise the benefits not just to Scotland but to the nation as a whole, and the need to cut through the bureaucracy and enable the market to work a lot more effectively. I am worried about the effect of the Scottish Government’s budget cut to Creative Scotland. The almost £700,000 fund was a vital resource for participants in the festivals. It was already extremely over-subscribed, so it is difficult to rationalise the decision by both the Scottish Government and Creative Scotland. Artists cannot rely on pots of money such as Phoebe Waller-Bridge’s “Keep it Fringe” fund. We need artists whose careers have started at the festivals to pay into support to help others coming up behind them, but we also need all the authorities to feed in and support them. Festivals such as the Fringe are often the first big test for an emerging artist. They are a way for people to have the most amazing experiences, and the cultural contribution is second to none. They also bring the world and its cultural wonders to Scotland, whether that is through the Tattoo or the international festival. It is vital that the Scottish Government recognise the part that they can play, and I hope the Minister will do his bit to encourage co-operation with the festivals in future years.
7 Oct 2024 · British Indian Ocean Territory: Negotiations · Hansard source
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I wonder whether the Foreign Secretary will have a go at answering a direct question. How much will the UK have to pay for the privilege of ceding our sovereignty?
12 Sept 2024 · Business of the House · Hansard source
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May I pick up on the question asked by the hon. Member for Eltham and Chislehurst (Clive Efford) about the infected blood scandal? The Leader of the House confirmed that there would be regulations to establish compensation for eligible persons affected—the families, widows in many cases, or children who were left without parents—by the scandal. Will she make time for a debate in which the Government confirm when those regulations will be made?
12 Sept 2024 · NHS: Independent Investigation · Hansard source
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The Secretary of State will know that cancer is the biggest cause of death by illness for children under 14 in the UK, and that this is Childhood Cancer Awareness Month. He will not know that it is also the third anniversary of the death of my constituent Sophie Fairall, who was 10 years old. With Sophie’s mum Charlotte, I have been campaigning for the past three years for the children and young people cancer taskforce to be set up. The taskforce was set up at the beginning of this year with the stated aim of meaningfully changing detection, treatment and care for children with cancer. I have listened carefully to the Secretary of State and have heard him passionately set out that he wants to focus on prevention and early intervention, yet this month we learned that he is pausing the taskforce. Parents of children with cancer are deeply disturbed by that announcement, as am I. Can the Secretary of State set out why it was made?
12 Sept 2024 · Water Pollution: Accountability · Hansard source
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Dozens of homes and businesses across Alverstoke village in my constituency were flooded with polluted water from the Alver creek when Storm Pierrick caused a tidal surge in April this year. We now hear that, without urgent flood protection measures, that could be a one-in-20-years scenario. Those measures will cost an extra £3.5 million, and we are waiting desperately for news from the Secretary of State’s Department about whether we have been awarded that flood and coastal erosion risk management grant so that the work can start. We are now heading into winter, with higher tides, and some of my constituents still have not been able to return to their homes and businesses after the previous flooding event. What reassurance can the Secretary of State give me that that announcement is coming soon, and will he please meet me urgently to discuss this scenario?
10 Sept 2024 · Dynamic Ticket Pricing · Hansard source
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I could not have said it better myself—that is exactly what it is. We understand the laws of supply and demand, but we also understand the laws of transparency and fairness. What is more, once ticket purchasers were through to the payment screen, fans realised that they only had a very limited time to decide whether the hugely inflated prices were worth paying. Someone compared the ticket purchase after such a long wait to the dopamine rush of a gambler. The £150 to £400 price increase meant that the transaction was no longer a choice, but more of an impulse buy. I have heard many people say that the dynamic pricing method is used effectively in other sectors, and that the technology is a perfect demonstration of the dynamism of a free market. Even within the music industry itself, there is dispute as to whether dynamic pricing has a place and is an acceptable way forward.
10 Sept 2024 · Dynamic Ticket Pricing · Hansard source
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I welcome the Minister to his place and very much look forward to working with him to promote our world-class creative industries, including our music industry and all the other fantastic sectors that his Department promotes. Today, I want to talk about music ticketing and recognise the remarkable circumstances that have provoked this debate. News of the Oasis reunion has dominated the news cycle for the last week or so, but some might say for all the wrong reasons. What should have been a moment to celebrate one of the UK’s most significant cultural exports—and the chance to revisit the music that, for many, me included, was the soundtrack to our youth—has morphed into a conversation about exploitative practices in the music industry that hurt fans and the grassroots sector. Some of the issues have been rumbling away for years. In fact, earlier this year, the Select Committee on Culture, Media and Sport published a report on grassroots music that outlined some of the major challenges facing the live music ecosystem and suggested some ways forward. The Minister knows the facts. On 31 August, some 14 million people from 158 countries logged on to a digital queue to buy tickets to the Oasis Live 25 reunion tour, 15 years after the band broke up and 30 years on from their seminal first album, “Definitely Maybe”. Fans were locked in an online queue for up to 10 hours and, when many of them, it seemed almost at random, made it to the front of the queue, the tickets were in many cases more than double the price that had been advertised. The dynamic pricing mechanism employed by Oasis, their promoters and management via Ticketmaster served to increase the price of tickets in line with demand, but in reality it resulted in a kind of lucky dip game in which the price got worse and worse by no clear mechanism except the secret and opaque rules of a computer algorithm in the hands of Ticketmaster. I should declare an interest: after four hours of queuing, I had become wistful about the halcyon days of real-life physical box offices, where we queued almost overnight to get our tickets, but at least we could see the queue in front of us and we knew how long we would have to wait.
10 Sept 2024 · Dynamic Ticket Pricing · Hansard source
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I am very fortunate to have been re-elected as the Chair of the Culture, Media and Sport Committee, but we do not have any members of the Committee yet. Any decisions about what the Committee will look at will very much be a group decision jointly taken, but this is certainly something I will be putting forward. I know the Minister has already announced some consultation of his own. To return to dynamic pricing and the laws of supply and demand, mentioned by the hon. Member for Strangford (Jim Shannon), this is something that is used across different marketplaces. Uber employs a smart dynamic pricing mechanism that adjusts the cost of journeys in line with changing variables, such as traffic and current rider-to-driver demand. Hotels and airlines are another market that uses dynamic pricing, but they are very different. If people are stuck at Waterloo station, as I sometimes am, an Uber is not the only option of travel and, when people go on holiday, multiple airlines offer flights to the same city and different hotel options, but when it comes to live music, particularly in cases such as this one, there is one artist and one opportunity to buy a ticket. The imperfections of the dynamic pricing mechanism were obvious to anybody who attempted to buy a ticket on this occasion, but whatever the rights and wrongs of its suitability for music ticketing and this market place, the most important issue is that fans were not warned about the use of dynamic pricing before they entered the digital queue. Those are the faults that led the Competition and Markets Authority to open its investigation into this debacle. It meant that people had no idea how much a ticket would cost when they logged in. Many fans ended up paying at least double the original listing price of £148, so four standing tickets could cost an eye-watering £1,400 once service and order processing fees were included. The CMA says that it will investigate whether fans were given “clear and timely information”. Any free market economist would call this a classic case of information asymmetry. There was certainly a lack of clarity over how high ticket prices might eventually go, with the additional chaos of a time limit putting pressure on fans to make an imminent decision about whether they were going to buy. Ticketmaster claims that the dynamic pricing mechanism is the best way to deter ticket touts, the logic being that any tout buying tickets in bulk would increase demand and therefore see his or her prices and margins slashed. The Guardian has already said that secondary ticketing platforms are advertising more than 4,500 tickets for this tour already, including from one tout who claims to have at least 33 tickets for Cardiff, Wembley and Murrayfield listed, for a combined price of over £26,000. I am glad that this summer the Government announced a consultation on the secondary ticketing market, where tickets are sold in bulk by touts who often use bots to scout for tickets at face value and sell them well beyond the market value, but will the Minister set out the parameters and timescales for the work? When will it happen and what is it likely to include? He has now announced that the investigation will be widened to consider dynamic pricing and what happened in the Oasis situation, so can we have a reassurance that the eye will not be taken off the ball of the original consultation that he announced in the summer? There are so many aspects at play. This method of resale is also the culprit for a large amount of money lost to fraud, with Lloyd’s estimating that £1 million was lost to scammers during Taylor Swift’s Eras tour alone. Will the Minister tell me whether the secondary market consultation will include conversations with digital search engines that are signposting customers into the hands of touts and not doing enough to get them direct to principal sales sites? There is scope for an entire primary market review and for ticketing to be reviewed on a much wider scale. The Oasis episode has opened the eyes of fans to potential anti-competitiveness within the industry. As complaints about the ticketing process began to flood in, Oasis said it was their management and promoters who had agreed a dynamic pricing strategy with Ticketmaster. But, of course, their three tour promoters all have links to Live Nation, Ticketmaster’s parent company and, in effect, they are all the same party. So that party is making money hand over fist through the system, which keeps everything under the Live Nation umbrella. For a typical tour, a Live Nation subsidiary promoter might take 10% of the face value of a ticket. A service charge of perhaps a quarter of that face value will then be applied, and some of that money will be going to Live Nation-owned Ticketmaster. The venue will take a cut at this stage, which, in all likelihood, will be a Live Nation-owned venue, too, as it owns 28 festivals and venues UK-wide. The process is repeated at resale, if people go through Ticketmaster at a higher cost than before, leaving Live Nation with an even greater cut. The Minister does not need to be a public intellectual to see that there is a real perverse incentive for Ticketmaster to see tickets in the hands of touts. He will know that the US Department of Justice has slapped Live Nation with a lawsuit, citing anti-competitive conduct, while it is now well established that the company has a near monopoly in the UK. Dynamic pricing is quite an effective way of rewarding a near-monopoly, with no upper limit on ticket prices, meaning a greater cut for the parent company. The great sadness of all this is not only that the system is punishing the fans—in this case, those Oasis fans for whom the music was so totemic, so life changing back in the ‘90s—but that, to add insult to injury, there is no trickle down to the live music ecosystem, like the grassroots music venues that Oasis first played in while honing their skills, the venues that made them, such the Boardwalk in Manchester and King Tut’s in Glasgow. Although Oasis have since announced further tour dates, tickets to new dates will be sold at face value via invitation-only ballot. I cannot help feeling that the fans who paid through the nose via dynamic pricing are going to feel very hard done by. I encourage the Minister to look at ways to amplify fans’ voices within the live music ecosystem. He might start by responding to the Culture, Media and Sport Committee’s report into grassroots music, which I have already mentioned. It was published in May. I know that we have had the small matter of a general election since then, but I would like to know when the response is likely to be forthcoming and whether the Government are minded to accept its recommendations. The recommendations include one for a fan-led review of music—something like the fan-led review of football that was led by my still friend, my former hon. Friend, the former Member for Chatham and Aylesford, Tracey Crouch—to look at how the music pyramid functions and how the money trickles down from the big players to those small venues and fledgling songwriters and artists. The recommendations included a targeted VAT cut, which to grassroots venues would have represented a final hour of salvation in a sector that is widely accepted to be in crisis, and a live music levy, which would take a small proportion of the service fee from the pockets of the big venues and bring them right down to the struggling businesses at the grassroots. What is most pertinent to me about all this is that, while many of the 28 venues and festivals in which Live Nation owns a stake are flourishing, grassroots music venues are closing at a rate of two a week. I am sure that the Minister is aware that, of the 34 music venues in which Oasis played on their first tour back in 1994, only 11 are still open today. And those venues are so crucial. They are absolutely fundamental to incubate our world-renowned talent. They are the R&D department for the music industry. They are a massive feeder into something that is fundamental to the UK economy and crucial to our soft power around the world. In a ticketing market gone wrong, there might have been a gram of comfort to some of the fans paying through the nose for their ticket if they knew that, in paying it, some of the money was protecting grassroots music venues in their communities and germinating the Oasis of the future. I know that, like me, the Minister wants nothing more than to see our musical talent continue to thrill fans both at home and around the world, but behind every great act is a chance performance at a low-capacity venue that is struggling to keep the lights on, that is at financial breaking point, and that is a hair’s breadth away from closing its doors.
10 Sept 2024 · Winter Fuel Payment · Hansard source
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Pensioners in my constituency will be saddened by the way the Minister is caricaturing pensioners as wealthy and not in need of this winter fuel support. Age UK has said that, in the Gosport constituency alone, 15,000 pensioners stand to lose their winter fuel payment. These are not wealthy people; they are people who, in many cases, are just outside the pension credit limit and are hanging on by their fingertips. Does he agree that caricaturing them as wealthy and not in need is unbelievably insulting?
5 Sept 2024 · Great British Energy Bill · Hansard source
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That is the exact point that I wanted to make; I was very keen for the Secretary of State to take my intervention on that point. The key practical, tangible thing that my constituents want to know is when they will see the £300 saving that he promised them during the general election. That is what really impacts families and households up and down this country. When a Minister comes to sum up the debate, will they restate that commitment to households about a £300 saving?
5 Sept 2024 · Great British Energy Bill · Hansard source
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